22 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Album number six from the Canadian dreamy, bluesy folk trio recorded in France
7.4
This new sound of theirs was not just a good move but a great one Read Review
Few albums will encapsulate 2017 with such elan. Print edition only
Balancing the political disquiet is a vein of romantic yearning, with Kirk’s plea in “Moment” for “desire deserving of something more” offers a fitting summary of the album as a whole Read Review
This 2017 take on Eighties cinematic synth-pop is an unexpected joy in which to relish the impending political slime approaching us Read Review
The old school electronica and synth work makes Sincerely, Future Pollution a grand, beautiful, but occasionally uncomfortable listen Read Review
The dark absurdity of American politics provides a suitably grim backdrop for the group's fourth album Read Review
As its title suggests, Timber Timbre’s latest record is defined by the spectre of romantic decay and geopolitical destruction that looms over it Read Review
Threat levels peak on Sewer Blues' ominous, John Carpenter reverberation. Print edition only
Sees Taylor Kirk ceding more creative control to guitarist Simon Trottier and keyboardist Mathieu Charbonneau than on any previous albums, with the result being a shift into electronic and also funk territory Read Review
Sincerely, Future Pollution is Timber Timbre's most confident record Read Review
These nine songs are at once a throwback to the experimental ’80s and an exciting indication of how Timber Timbre continue to grow Read Review
Sincerely, Future Pollution materializes a distinctly '80s coldness, with electric guitar pep-talks aside fuzzy, building synthetics Read Review
Kirk's fondness for gloomier realms prevails, especially in his noteworthy wordplay and on the ominously noisy title track. Print edition only
Sincerely, Future Pollution continues to raise the band’s crooked bar. Read Review
A sense of surging depravation pervades the entirety of Sincerely, Future Pollution Read Review
A great work about a toxic world Read Review
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Timber Timbre: Sincerely, Future Pollution
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways