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Debut album of sixties and seventies inspired folk from Azniv Korkejian

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  1. 10.0 |   The Independent

    A talent as intriguingly fully-formed and distinctive, in its own way, as Marling, Mitchell and Bush
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  2. 8.5 |   Under The Radar

    Neither a wasted note nor a moment of excess can be found on Bedouine. And in a time of gross artistic pretentions, it bares none of those things
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  3. 8.0 |   The Guardian

    One of the most understated and charming albums of the year
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  4. 8.0 |   Evening Standard

    Lushly orchestrated, literary ballads
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  5. 8.0 |   Q

    There is a wonderful stillness to her songs. Print edition only

  6. 8.0 |   Mojo

    Darkly comic folk-pop. Print edition only

  7. 8.0 |   The Digital Fix

    Subtle, crafted, and totally bewitching
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  8. 8.0 |   Earbuddy

    Operates in a genre that’s seen it all, and yet, it still feels entirely new
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  9. 8.0 |   The Observer

    Her authority is unquestionable: songs such as the Leonard Cohen-influenced Solitary Daughter give Laura Marling a serious run for her money
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  10. 7.7 |   Gig Soup

    A debut that signposts good things to come but, perhaps more importantly, it still has plenty to offer in its own right
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  11. 7.5 |   Pitchfork

    Showcases the depth of her songwriting and uses Spacebomb’s retro sound to create an exquisite, subtle, and wide-eyed collection of songs
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Bedouine: Bedouine

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