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10.0
98717
10.0 |
DIY
The Californian filthmongers’ most danceable offering yet – and all the better for it
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9.3
98872
9.3 |
Gig Soup
Seven albums into their career, Queens Of The Stone Age continue to amaze. 'Villains' is meticulously constructed, endlessly exciting and deeply rewarding
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8.5
98691
8.5 |
Paste Magazine
Queens of the Stone Age have perhaps yet to hit their creative peak—no small feat for any band, let alone one that still tinkers with a form of music as old as rock
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8.0
98694
8.0 |
Evening Standard
Tight as heck and curiously admirable
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8.0
98704
8.0 |
Rolling Stone
Headbangers may be put off that QOTSA is now targeting feet and asses; too bad for them
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8.0
98808
8.0 |
Prefix
Two decades into their career QOTSA are sounding fresher than ever
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8.0
98570
8.0 |
Q
Ronson coaxes the funkiness out of this unfunkiest of groups. Print edition only
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8.0
98571
8.0 |
Mojo
A true metamorphosis. Print edition only
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8.0
98602
8.0 |
Uncut
While Like Clockwork sometimes felt a little leaden, Villains flies by
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8.0
98618
8.0 |
Clash
The kind of album that sits at the back of class openly smoking a cigarette but still manages to ace its exams at the end of the year
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8.0
98627
8.0 |
Earbuddy
As QOTSA’s seventh album, Josh Homme shows his peers how to progress late in their careers. Just have fun and everyone else will too
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8.0
98647
8.0 |
Exclaim
An album that dazzles in contrast to the previous album's darkness
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8.0
98657
8.0 |
The Irish Times
The QOTSA essence remains. Sharp hooks, crushing riffs, locked-in grooves and Homme’s sneer dominate
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8.0
98661
8.0 |
The Independent
Ronson has brought production clarity and a punchy funk sensibility that transforms QOTSA’s trademark robot-rock rhythms into something much more dynamic and danceable
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8.0
98665
8.0 |
The Guardian
Their self-image may be cartoonishly macho, but there are sweet and supple melodies galore on this Mark Ronson-produced seventh album
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8.0
98671
8.0 |
All Music
A dark joy, a record that offers visceral pleasure in its winking menace.
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8.0
98676
8.0 |
The Line Of Best Fit
They've always played that macho posturing with a knowing wink, though, and there's always been plenty of elegance beneath the surface - never more so than now
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8.0
98679
8.0 |
Spectrum Culture
Skeptics will be proven wrong, especially those who think Mark Ronson helped to kill rock off
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8.0
98688
8.0 |
NME
The sound of living in the moment and it’s glorious
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7.5
98667
7.5 |
A.V. Club
If this is indeed borrowed time for Homme and company, Villains finds them making the most of it
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7.5
98576
7.5 |
Consequence Of Sound
For an outfit who’s claimed groove-rock for two decades, it’s a relief to hear what they sound like with a beat you can dance to. Now let’s see them keep it going
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7.5
98827
7.5 |
Pretty Much Amazing
An enjoyable enough listen that it’s not too hard to excuse its flaws
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7.0
98780
7.0 |
No Ripcord
Just the right remedy to refuel rock radio’s loss of identity
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7.0
99199
7.0 |
PopMatters
Queens of the Stone Age are back with more riffs, more swagger, and a little bit of swing
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7.0
98803
7.0 |
The 405
The album is definitely progress, but maybe not as much progress as those of us eagerly awaiting new music were hoping for
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7.0
98581
7.0 |
The Music
Villains' eschews the slow and shadowy songs, instead going straight for the hips
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7.0
98639
7.0 |
Slant Magazine
Hint of sweetness is enough to elevate the album from the same old thing to some kind of spectacle
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6.9
98782
6.9 |
Pitchfork
The band's most accessible album in decades. It’s equal parts disco inferno and devil-may-care experimentation
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6.0
98693
6.0 |
The Observer
It’s a bold, fun gamble, and one with ample winnings
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6.0
98642
6.0 |
The Arts Desk
It's flawed, but wonderfully so
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6.0
98620
6.0 |
Drowned In Sound
Isn’t a terrible record, but it’s not a fantastic record either, and that’s perhaps the least kind thing that could be said about new material from a band which we’ve come to expect a lot from
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5.0
98707
5.0 |
Under The Radar
It's disconcerting when one of the most uncompromising, forward-thinking bands in the rock pantheon leans so heavily on what worked in the past that they forget that the onus is on them to innovate
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