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8.0
108956
8.0 |
PopMatters
Whether or not Future Ruins is the record that finally breaks Swervedriver through to the masses, it shows the band are still making their own breakthroughs
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8.0
108957
8.0 |
Mojo
Future Ruins achieves everything an admirer could ask of the reunited band's new album. Print edition only
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8.0
108958
8.0 |
Under The Radar
Not only is Future Ruins a welcome addition to the Swervedriver canon. It also fully confirms their reunion was anything but a nostalgia trip
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8.0
108959
8.0 |
DIY
Shows that the band still have something to say and prove
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8.0
108969
8.0 |
The Skinny
Bold and ambitious, Swervedriver's sixth studio album Future Ruins is deliriously difficult to place, and all the more exciting for it
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8.0
109113
8.0 |
All Music
Where I Wasn't Born to Lose You was electric with the excitement of Swervedriver's rebirth, Future Ruins is the sound of a band that's happy to be back and ready to get down to the business of pushing their sound forward
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8.0
109171
8.0 |
Slant Magazine
Thrives in the spaces between the power chords and choruses
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7.0
108955
7.0 |
Uncut
The spacious, Neil Young-ian rumbling of the title track and the bulked-up power-pop of "Spiked Flower" both see co-founders Adam Franklin and Jimmy Hartridge venture beyond the template of Raise and Mezcal Head without making the faithful worry they've ditched their distortion pedals. Print edition only
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7.0
108960
7.0 |
Punk News
All in all, Swervedriver delivers the goods but with this record, it's safe to say it could have come years ago
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6.5
108961
6.5 |
The 405
Swervedriver are clearly pissed off with how things are, a theme which drips from every fibre of this body of work
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6.0
108954
6.0 |
Drowned In Sound
The major nagging feeling over Future Ruins is, despite all its positives, is why this exists as a new album in 2019 when it just as easily could have come out a quarter of a century ago
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5.0
109023
5.0 |
Spectrum Culture
An album that will bore before it has the intended impact
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4.0
109088
4.0 |
God Is In The TV
Despite a strong start it’s mostly a chore to listen to, and sounds like it was a chore to make
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