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8.4
114644
8.4 |
Pitchfork
A woozy, raw, magical, and extremely short album from hip-hop’s most tantalizingly inscrutable rapper
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8.0
114645
8.0 |
Rolling Stone
Throughout Feet Of Clay, Earl’s playfulness collides with the weariness of a much older man; his layered rapping style and increasing disinterest in form suffuse his cryptic meditations on memory and loss with the sense of great burden
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8.0
114652
8.0 |
NME
Eschews Olympian-style rhyme schemes and bursts of clear-eyed soul-searching, instead offering a tender portrayal of Earl's psyche
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8.0
114642
8.0 |
The Line Of Best Fit
There’s the sense that the artist is using this record as a transitionary vehicle, a space where he can blend familiar themes with unfamiliar sounds, adopt different lyrical approaches and mix them with different styles of production and instrumentation
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7.6
114691
7.6 |
Sputnik Music (staff)
FEET OF CLAY plays as self-contained little musings that seem to flutter in and out as a radio channel changes
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7.5
114641
7.5 |
Consequence Of Sound
Unassuming flow mixed alongside labyrinthine samples and buried-alive drums
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7.0
114654
7.0 |
Clash
Death and darkness loom over 'FEET OF CLAY'. Murky loops and a stream-of-consciousness style of rapping make the project feel like an extension of the sound honed on 'Some Rap Songs', albeit a less streamlined version of it
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5.5
114775
5.5 |
Spectrum Culture
Sweatshirt’s humility starts to look more like egoism
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