This Mirror Weighs a Ton

Interpol

This Mirror Weighs a Ton

Eighth album from the New York indie rock band produced by Andrew Wyatt (Yeah Yeah Yeahs, Dua Lipa, Liam Gallagher)

ADM rating[?]

7.8

Label
Partisan
UK Release date
28/08/2026
US Release date
28/08/2026
  1. 9.0 |   NME

    The NYC gloom-mongers up their game to examine themselves and the world for the unifying and experimental album number eight
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  2. 9.0 |   Under The Radar

    It is one of their strongest records in years, not because they have suddenly abandoned the sound they established all those years ago, but because they appear to have found new ways to work within it
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  3. 8.4 |   Sputnik Music (staff)

    This is an album that I could see myself enjoying even more in the future and aging very well, but for now, it’s a reinvention that Interpol desperately needed and hopefully kicks off another golden age for the band
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  4. 8.0 |   Beats Per Minute

    There is not a single bad song here, no awkward moment or overtly familiar riff, as time allows for minor details to suddenly step forward, and the songs blossom beautifully in consequence
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  5. 8.0 |   No Ripcord

    It’s been a tough run for Interpol since the highs of Antics, but their re-energised eighth album marks a glorious shift in fortunes
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  6. 8.0 |   Uncut

    There's much to admire, but 'Bird And The Serpent", whose intriguing exit passage featuring woodwind and strings, and "Wings On Fire", which suggests a tormented INXS, are among the darklights. Print edition only

  7. 8.0 |   Mojo

    The results display more radio-friendly polish, while the grooves are enhanced with percussive syncopation, and strings and woodwind are employed for added sonic swirl. Print edition only

  8. 8.0 |   Record Collector

    Interpol have made their most developed, creative album yet
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  9. 8.0 |   Slant Magazine

    The band expands their sound with richer production and a meditation on identity
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  10. 8.0 |   Northern Transmissions

    This is a band more than two decades into its career who finally stopped chasing their own debut and just made the record they actually wanted to make
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  11. 8.0 |   musicOMH

    Paul Banks and co are the ultimate example of 'it ain't broke, don't fix it'. Yet with subtle embellishments to their sound, this feels like something of a reset
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  12. 8.0 |   Clash

    A fantastic return that often captures the genius of their best work
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  13. 8.0 |   The Quietus

    This Mirror Weighs A Ton marks a moment of pleasing expansionism twinned with some of the best songs of their long career
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  14. 8.0 |   The Skinny

    On This Mirror Weighs a Ton, New York outfit Interpol are sounding the most refreshed they have in over 15 years
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  15. 8.0 |   Far Out

    Another strong entry into Interpol’s practically faultless line of records
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  16. 8.0 |   All Music

    Nearly a quarter-century after Turn on the Bright Lights, the lived experience Interpol brings to This Mirror Weighs a Ton lets them touch on heavy feelings lightly - and adds twists that keep their steady path from feeling too predictable
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  17. 7.4 |   Spectrum Culture

    Even if the moments of brilliance that once came so naturally to Interpol are harder to conjure, still pulling them off on their newest album is an appreciable talent
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  18. 7.1 |   Pitchfork

    Working with producer Andrew Wyatt, the band turns in a strong and suitably dour album that nonetheless carries the frustrating tinge of more interesting possibilities
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  19. 6.0 |   XS Noize

    Interpol are not chasing past ghosts anymore. They are simply refining the darkness
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