1 March 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Posthumous debut full-length album from the rapper following his death in February 2020 includes guest appearances from 50 Cent, DaBaby, Future, Karol G, King Combs and Lil Baby
6.4
The late Brooklyn drill star's first album has been completed with care and attention Read Review
2020, while being one of the more memorable years for all the wrong reasons, has had more than its fair share of great rap albums and this 19-track effort from Pop Smoke, certainly deserves a position close to the top of that list Read Review
Not only a celebration, but an elegy for what else he could have achieved Read Review
The late Brooklyn rapper’s hefty debut album shows us what could’ve been Read Review
The rapper’s posthumous debut album shows us why he remains the voice of New York City Read Review
The Brooklyn dark horse welcomes listeners to one final party on his new posthumous record Read Review
The 20-year-old rising star was the voice of Brooklyn drill when he died. On his debut album, executive-produced by 50 Cent, his voice shines through despite a raft of unnecessary features Read Review
The album has the feel of a B-sides collection culled together as a cash-in on the rapper’s death Read Review
This posthumous debut studio album is let down by repetitious raps and monotonous beats Read Review
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Bdrmm Microtonic
The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album The Guardian
Ichiko Aoba Luminescent Creatures
The cult Japanese singer-songwriter’s new album, inspired by the Ryukyu islands, is like a powerfully soothing sound bath The Guardian
Darkside Nothing
Guided by the idea of wiping the slate clean, Nicolás Jaar and Dave Harrington’s third album is a raw, surprisingly funky, desperately hopeful response to the chaos of the 2020s Pitchfork
The New York trio have made an album almost bursting with ideas, one that, given the time, you’ll want to live with for months to come musicOMH
The musical quality and innovative ideas at the heart of these works are undeniable, and Darkside have clearly poured a lot of inspiration into the album. Ultimately, though, its lack of cohesion makes for a sluggish listening experience Far Out
Nothing is a refreshing exercise in disorientation, rewarding those willing to let go and get lost in its unpredictable soundscape Northern Transmissions
There's a formlessness to the greater endeavour that ensures it's somehow less than its constituent parts. Still, the likes of subterranean Latin shuffle American Reference possess an invention and mystery that makes this an endlessly fascinating place to get lost. Print edition only Mojo
Darkside opens up on Nothing with a playfully weird set of baroque pop that takes in bluesy '70s skanking and cavernous grooves. Print edition only Uncut
On the third record, DARKSIDE are happy to remain unfixed, bumping between fun and familiar grooves with an element of chaos The Skinny
The songs on Microtonic simply aren't as memorable as the highlights of their debut. It sounds impressive, but it exists in a sort of netherworld between expansive sonic exploration and fully engaging songwriting All Music
A deep love for dance music and invigorating writing infuses the band’s third record with an incredible vitality NME
‘Microtonic’s’ Balearic/rave undercurrents suggest bdrmm would be happy to be faceless, akin to a DJ The Arts Desk
It's a beautiful soundscape to get thoroughly lost in. Print edition only Mojo
There's a powerful, invigorating beauty about their best work yet. Print edition only Record Collector
Boldest of all is the grimy techno pulse and bass thrum of "Lake Disappointment", which pulls off a stylistic switch while maintaining the winningly smoky atmosphere of the album as a whole. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together