No Joy


Fourth album from the Montreal shoegaze artist Jasamine White-Gluz produced by Jorge Elbrecht

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Joyful Noise
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  1. 9.0 |   The Line Of Best Fit

    A blisteringly progressive record - one that genuinely feels years ahead of its time
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  2. 8.4 |   Paste Magazine

    A creative tornado that sweeps up everything from bongos and trip-hop to slap bass and a broken clarinet, cohering somehow into a set of songs that gives the listener as much as it demands of them
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  3. 8.3 |   Spectrum Culture

    After a five year odyssey exploring electronic and experimentation, No Joy return to form having learned a thing or two
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  4. 8.0 |   Pitchfork

    On their fearlessly creative, beat-heavy new record, the Montreal band spikes their dream pop with trip-hop, nu-metal, and other ’90s signifiers
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  5. 8.0 |   All Music

    White-Gluz controls her songs with a steady hand and a crystalline vision on Motherhood, and takes No Joy's always-restless creative spark to unimaginable new places
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  6. 8.0 |   Exclaim

    No Joy have learned a lot in the five years since their last full-length, 2015's More Faithful and Motherhood is the perfect encapsulation of that
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  7. 7.9 |   Beats Per Minute

    No Joy’s sonic and textural innovation ensures that the mood remains vibrant, bright and hopeful
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  8. 7.0 |   Under The Radar

    There’s still a feeling that perhaps if the vocals were higher in the mix and had less distortion the songs could perhaps shine even brighter
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