The Last Exit

Still Corners

The Last Exit

Fifth album from the London indie pop / dream pop duo Greg Hughes and Tessa Murray

ADM rating[?]


Wrecking Light
UK Release date
US Release date
  1. 8.0 |   Under The Radar

    As with all Still Corners previous releases, The Last Exit is another exquisite voyage into its creators' enchanting landscape that's both mesmerizing and timeless
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  2. 8.0 |   American Songwriter

    Still Corners stitches a seamless amalgamation of lyrics, vocals, production and song composition, all of which makes The Last Exit an early contender for one of 2021’s finest, and most enduring releases—one to listen to, absorb and bask in
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  3. 8.0 |   The Quietus

    The Last Exit offers a sun-baked equivalent to the dewey, Pacific Northwest pop of Chromatics. To invoke dream pop’s eternal muse, David Lynch, it’s more Wild At Heart than Twin Peaks
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  4. 8.0 |   All Music

    Even if The Last Exit is sometimes a little too wispy, it's still a fitting soundtrack for getting lost on the open road
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  5. 8.0 |   Mojo

    Murray's voice is a beautiful, dreamy magnet for Hughes's backdrops, which without losing their twang take all sorts of tangents. Print edition only

  6. 8.0 |   Uncut

    Album highlight "White Sands" is a soundtrack in miniature, the acoustic and electronic tones combining like a neon-streaked empty road. Print edition only

  7. 7.0 |   DIY

    Largely worthy of the cultural touchpoints it so proudly nods to
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  8. 6.0 |   NME

    The American-British duo's fifth record sees them fire up the jalopy once again, exuding dustbowl chic, noirish sounds and pandemic-inspired dream-pop
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