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9.0
123463
9.0 |
Gigwise
A glorious testament to Williams' songwriting
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8.0
123464
8.0 |
NME
Recorded alone in lockdown, the Paramore vocalist's exposed new album sees her trade the biting rage of her previous release for a more meditative sound
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8.0
123482
8.0 |
Clash
Recorded during the first lockdown in the comfort of her home, it’s incredible to think Williams’s was already onto her second project moments after dropping 'Petals For Armor'
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8.0
123491
8.0 |
Sputnik Music (staff)
What a pleasure to have a songwriter and singer of this calibre making albums like this, with seemingly limitless texture to dig into and infinite potential meaning for every listener. Just so long as they give it the time
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8.0
123506
8.0 |
Exclaim
Seven albums and 16 years into her music career, Williams seems more confident than ever in doing as she pleases instead of pleasing others
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7.5
123465
7.5 |
Consequence Of Sound
The Paramore singer's growth is reflected more personally and intimately than ever before
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7.5
123533
7.5 |
A.V. Club
It’s the work of someone rightfully scared of major change, but still willing to do the emotional work needed in order to face it head-on
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7.0
123462
7.0 |
The Line Of Best Fit
Hayley Williams’ emotional purge continues into delicate, and often haunting, acoustic terrain
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7.0
123487
7.0 |
Rolling Stone
The Paramore singer has codified what a ‘quarantine album’ can be
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6.8
123517
6.8 |
Pitchfork
Working in isolation, the Paramore leader extends the healing narrative of last year’s Petals for Armor with a sparse, unadorned album that casts a mournful glance to the past
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6.0
123472
6.0 |
Kerrang!
FLOWERS for VASES / descansos continues what Petals For Armor started in showing just how much of Hayley Williams we still have to get to know as an artist
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5.5
123632
5.5 |
Spectrum Culture
An inconsistent album that soars when operating on either end of a spectrum that ranges from bedroom folk songs to intensely cinematic pieces
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