Second Line

Dawn Richard

Second Line

Sixth album from the New Orleans electronic/R&B artist and former member of Danity Kane and Dirty Money

ADM rating[?]

7.1

Label
Merge
UK Release date
30/04/2021
US Release date
30/04/2021
  1. 9.0 |   The Line Of Best Fit

    Richard’s voice floats through it all, shepherding newcomers with an intoxicating haze
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  2. 8.0 |   All Music

    Remarkably, Richard again switches up her collaborators without losing a step, this time working primarily beside the previously obscure Ila Orbis with Sam O.B. (aka Obey City), Joe Beats, and J Rick each on one track
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  3. 8.0 |   Pitchfork

    For almost two decades, Dawn Richard has been increasingly beholden to nothing but her own satisfaction as an independent artist. Her sixth album is a decadent testament to her maturation
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  4. 8.0 |   Rolling Stone

    The adventurous R&B artist takes her sound to bold new places, while creating a New Orleans funk utopia all her own
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  5. 7.8 |   Beats Per Minute

    If you haven’t yet journeyed into the surprising hemisphere of Dawn’s music then it’s time to listen, lest you miss out on someone who has truly been ahead of the game for a decade now
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  6. 7.5 |   Spectrum Culture

    A cohesive, bold work that dares to draw not only from her heritage but her own personal mythos, Second Line marks Dawn Richard’s official foray into the ‘20s
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  7. 7.2 |   Paste Magazine

    The longtime electronic innovator’s sixth album sees her at once expanding her palette and vision while keeping her roots firmly grounded
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  8. 7.0 |   Clash

    Sonically, ‘Second Lines’ arguably divides into three suites: a salvo of club-friendly opening tracks, an uneven middle section that appears to be mainly interludes, and a late rally of emotional electronic pop
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  9. 6.0 |   The FT

    The singer’s inventive sixth album celebrates her family history and heritage through electronic music
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  10. 6.0 |   Exclaim

    New label home or not, Richard remains a testament to boundary-pushing, genre bending and expectation-shattering art, though Second Line's tempered grandiosity ultimately leaves her ambition underserved
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  11. 6.0 |   The Guardian

    The former Diddy collaborator brings Black female perspective to the fore in an ambitious collection of electronic sound
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  12. 6.0 |   Loud And Quiet

    In more easily digestible amounts, Second Line contains evidence aplenty that Dawn Richard understands her world better than most
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