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10.0
132365
10.0 |
musicOMH
Eighth album from Vermont singer-songwriter brings personal reflections to life with delicate minimalism and heartfelt warmth
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9.0
128213
9.0 |
Vinyl Chapters
So, Miss Swift, if you ever plan on completing that Folklore/Evermore trilogy, there’s an indie singer I think many fans would love to hear be a part of it. Her name is Anaïs Mitchell
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8.0
128284
8.0 |
Albumism
This is not the biting folk epic that Young Man was, nor the high concept and expansive theatre piece Hadestown was, but a humbler half-hour by a highly creative and blossomed mother who, more than anything, presents as worldly, gentle, and wise
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8.0
128155
8.0 |
The Line Of Best Fit
Anaïs Mitchell embraces the stillness of life on her powerful self-titled return
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8.0
128156
8.0 |
Uncut
Sonically, the album has a muted palette, an approach that suits the colourised introversion of Mitchell's writing. even so, there are occasional flashes of illumination
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8.0
128157
8.0 |
Mojo
Deceptively simple, the result is a lovely thing. Print edition only
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8.0
128159
8.0 |
The Guardian
After her Broadway success with Hadestown, the indie folk artist returns with a set of lowkey but polished melodic gems, boasting sharp lyrics and striking emotional gear-changes
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8.0
128161
8.0 |
Evening Standard
On her first solo album in 10 years, the Grammy-winner recounts her pandemic retreat
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7.9
128158
7.9 |
Paste Magazine
It’s the first great folk album of the year, but more crucially, it’s a quiet personal triumph for Mitchell herself. Disclosing one’s own truths rarely sounds this graceful
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7.7
128880
7.7 |
Spectrum Culture
Searching for meaning in the maelstrom of moments staring back at her
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7.2
128160
7.2 |
Pitchfork
On her first album of all-new solo material since 2012, the Vermont-based folk singer reflects on her life with measured reverence
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7.0
128200
7.0 |
No Ripcord
With her lowkey yet glistening collection of songs, she jumps back into the light with clearheaded confidence and a more mature outlook
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6.0
128310
6.0 |
The FT
Acoustic guitars and muffled drumbeats reflect the Vermont singer’s move from New York back to her home state
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