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8.0
130273
8.0 |
Mojo
With his trademark gothic drawl, Patterson Hood limns close highway calls with perspicacity, then mourns the compatriots he's lost to foibles and vices alike. Perennially underrated Mike Cooley, meanwhile, hands in some of his sharpest-ever writing. Print edition only
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8.0
130274
8.0 |
Uncut
They stew in the rich absurdity of it all, and offer a collection that rings of the band’s tendency toward Southern-gothic neo-noir, but with frequent punctuations of light. Print edition only
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8.0
130275
8.0 |
God Is In The TV
This is what Drive-By Truckers do best – evoke strong emotions in your inner psyche while making sure you’re also having a damn good time doing so
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7.7
130277
7.7 |
Beats Per Minute
Club XIII perhaps marks the end of an era, for DBT and the broader culture, suggesting that our outward-moving attention, while politically and socially significant, has to yield at some point to self-assessment
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7.0
130270
7.0 |
All Music
Once again, the Drive-By Truckers have made a strong album well worth your time and attention, but Welcome 2 Club XIII suggests they're having a problem embracing uncomplicated joy in 2022 - but then again, so do most people
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7.0
130271
7.0 |
American Songwriter
Not surprisingly, Welcome 2 Club XIII stands as another triumph for a band that’s never short when it comes to attaining a high bar. Consider this a club where everyone is welcome
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7.0
130272
7.0 |
PopMatters
Drive-By Truckers’ Welcome 2 Club XIII is more introspective and subdued than the previous raw, unfiltered laments and analyses of American culture
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7.0
130276
7.0 |
Spectrum Culture
After this much time together, the mature look back makes sense
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