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8.0
132527
8.0 |
Mojo
Time's Arrow is Ladytron's equivalent of Simple Minds' early-'80s heyday, where burnished synth-pop meets the hyperreality of travel. Print edition only
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8.0
132528
8.0 |
Uncut
Does venture a little outside their comfort zone - the lush "California" is a Cocteau Twins fever dream - but they're at their best closer to home on the career high of "Misery Remember Me", a glittering palace of gothic Italo disco. Print edition only
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8.0
132531
8.0 |
The Line Of Best Fit
Time's Arrow is a collection of damn fine synth-pop from Ladytron
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8.0
132565
8.0 |
All Music
With Ladytron, the band proved they could more than hold their own with the like minded acts who sprang up in their wake. The thought and skill they put into Time's Arrow, however, could only come from years of perspective and experience
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8.0
133395
8.0 |
Under The Radar
Overall, Time’s Arrow is a sturdy representation of business as usual and by all accounts, business is booming
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7.0
132543
7.0 |
musicOMH
Renewed assurance is clear from the start of their seventh album, with their sound expanded to massive dimensions with great swathes of synthesized colour
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7.0
132586
7.0 |
No Ripcord
Even with its perceived flaws, it offers some real moments of beauty to get swept away in if you're looking for an escape from the world around you
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7.0
132529
7.0 |
DIY
The sheer beauty of every detail is impressive, if not a little tiring
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6.9
132572
6.9 |
Pitchfork
On its seventh album, the Liverpool electro-pop band reaches for a lighter sound, capturing the passage of time in effervescent synths and impressionistic lyrics
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6.0
132532
6.0 |
The Arts Desk
Time’s Arrow is marked by Helen Marnie’s characteristic, somewhat distant vocals and an icy electronica sound
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6.0
132530
6.0 |
The Skinny
Although Ladytron's seventh album might have benefited from a lighter touch in places, it still manages to offer up a transcendent space to lose yourself
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