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8.0
132715
8.0 |
DIY
Cinematic in scope, often luscious in its arrangements, it’s a singular gem
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8.0
132716
8.0 |
Clash
Though the album seems to divebomb into a myriad of sounds and tones, there is an inherent glue that keeps the record together, ‘The WAEVE’ being a unique experience, bathed in a bold richness and brilliantly indulgent productions
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8.0
132717
8.0 |
Uncut
Unhurriedly crafted songs full of bona fide thrills, unexpected twists, and an elegant but never gratuitous grandeur. Print edition only
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8.0
132718
8.0 |
Mojo
They sing beautifully together and play everything. Print edition only
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8.0
132721
8.0 |
Gigwise
An inspiring and unpredictable collaboration
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8.0
132723
8.0 |
The Quietus
The alchemy between the two musicians is palpable and electric. They couldn’t be further removed from the genres that made them famous – from pop’s gleaming, detached lights – and they fit in with confidence and raw honesty in this new environment
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8.0
132795
8.0 |
The Irish Times
The duo chart a new path together to produce one of the more optimistic pieces of work produced during lockdowns
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7.3
132744
7.3 |
Pitchfork
Combining modular synth, saxophone, and a medieval lute, Graham Coxon and Rose Elinor Dougall create an album of pastoral disquiet and itchy post-punk edge
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7.0
132732
7.0 |
All Music
Tightening up some loose ends might have made The Waeve more cohesive, but at its best, it's elegant, unpredictable music made for the sheer rejuvenating pleasure of it
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7.0
132722
7.0 |
musicOMH
Graham Coxon and Rose Elinor Dougall’s new project is languid, hypnotic, meditative… and full of saxophone
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6.0
132724
6.0 |
Dork
It very much sounds like what it is – two of the country’s most consistently interesting indie artists having a good time and stretching their musical wings
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6.0
132719
6.0 |
The Arts Desk
A woozy thing, underpinned with analogue synths and elegant Krautrockin’ rhythms
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6.0
132720
6.0 |
XS Noize
While some may find it a formidable listen at first, the album keeps the intrigue with a series of unexpected turns
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