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9.0
141408
9.0 |
The Line Of Best Fit
Sprinklings of trip-hop, shoegaze and sludgy metal rain down and into one another, curating a short-lived thunderstorm, before hazy feedback sends yeule away and into the ether once more
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9.0
141461
9.0 |
Clash
Scraping at the depths of their experiences as an artist, a lover, a star, and everything in between, yeule delivers their most dense work yet
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8.6
141409
8.6 |
Paste Magazine
The Singaporean pop provocateur delivers a boundary-breaking, self-exploration in metalcore, electroclash, trip-hop, and synthwave textures. The album moves through vivid dreamscapes, fractured identity loops, and the soft violence of transformation
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8.5
141456
8.5 |
Beats Per Minute
Cyberpunk landscapes have many heroes and heroines. In the shadowed alleyways, their broken potential awaits
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8.2
141556
8.2 |
Spectrum Culture
Evangelic Girl is a Gun is a pop album perfect for a world where truth is uncertain, and where we’re all as online as we are in the flesh
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8.0
141448
8.0 |
DIY
A flex of pop ingenuity
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8.0
141410
8.0 |
PopMatters
Yeule has come a long way from their early years traveling distant galaxies. Cmiel’s melodies are exemplary pop, and their vocals exude an incorporeal flair
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8.0
141411
8.0 |
All Music
It's easily some of their most accessible work, and one of the most potent distillations of their chaotic yet introspective songwriting style
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6.8
141445
6.8 |
Sputnik Music (staff)
Expectations suck, and this album does not suck. It is disappointing, it is underwhelming, and it features some of the best pop cuts of the year
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5.9
141465
5.9 |
Pitchfork
The shapeshifting pop producer and vocalist’s fourth album summons the chilly cool of trip-hop, but doesn’t do much to differentiate from the heavily referenced source material
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