I Used to Go to This Bar

Joyce Manor

I Used to Go to This Bar

The California quartet's sventh studio album of pop/rock produced by Bad Religion’s Brett Gurewitz

ADM rating[?]

7.6

Label
Epitaph
UK Release date
30/01/2026
US Release date
30/01/2026
  1. 10.0 |   Dork

    There’s no time wasted, and no filler here, just nine perfectly realised, supremely executed cuts from one of the greatest bands around. We truly are blessed
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  2. 8.4 |   Northern Transmissions

    Though today Joyce Manor has a very small class of peers. I Used To Go To This Bar shows Joyce Manor continuing to push the boundaries of their sound
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  3. 8.3 |   Spectrum Culture

    In a scant 19 minutes, I Used to Go to This Bar taps into the allure and the danger of living in the past, as well as the runaway joy and fear of living in the present
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  4. 8.0 |   PopMatters

    The pop-punk institution Joyce Manor emphasize melody on another hooky collection of melancholy-tinged anthems
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  5. 8.0 |   Under The Radar

    They keep up their uninterrupted streak of never releasing a bad album. Like their best work, as soon as the record ends, it invites you to start back again from the top, wearing out the grooves until you know every hook by heart
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  6. 8.0 |   Record Collector

    I Know Where Mark Chen Lives and The Opossum, both of which race by in a blur of sawtooth guitars, spring-loaded basslines and earnest vocals. Yet there is dynamic range here, too. Print edition only

  7. 8.0 |   Kerrang!

    Heart-tugging closer Grey Guitar pushes over the finish line with deceptively profound slacker observations on the nature of memory and the importance of living in the moment. It’s a moreish listen, the perfect soundtrack to whiling away the day
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  8. 8.0 |   musicOMH

    The Californian trio’s exhilarating, bittersweet seventh album marks a vital evolution
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  9. 7.4 |   Pitchfork

    The Los Angeles pop-punk trio spends its seventh album wrestling with nostalgia, finding nuance and emotional complexity in their everyday grievances
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  10. 7.0 |   The Line Of Best Fit

    One of the band’s strongest efforts to date
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  11. 7.0 |   Uncut

    Demonstrates a continued forte for hooky songs that are just as likely to draw from '80s inspirations like The Smiths and Aztec Camera as from Joyce Manor's rowdier predecessors on Epitaph. Print edition only

  12. 7.0 |   Hot Press

    Littered with future live favourites, Joyce Manor’s latest is electrifying
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  13. 6.7 |   Paste Magazine

    With occasional pop detours, the Barry Johnson-led band from Torrance continues its everlasting journey to punk maturity
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  14. 6.0 |   Far Out

    For all their SoCal sense of humour, their full-steam instrumentals, and their catchy melodies, on this release, Joyce Manor stop just shy of greatness
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