Albums to watch

Play Me

Kim Gordon

Play Me

Third full-length solo album from the Sonic Youth co-founder produced by Justin Raisen (Marissa Nadler, Sky Ferreira, Angel Olsen)

ADM rating[?]

7.5

Label
Matador
UK Release date
13/03/2026
US Release date
13/03/2026
  1. 9.1 |   Paste Magazine

    The Sonic Youth co-founder’s third solo album embodies a righteous fury in her satire-fueled lyrics and producer Justin Raisen’s booming rage-rap instrumentals
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  2. 9.0 |   Uncut

    She takes on the Trump administration in "ByeBye25!", one landmark among many in her forward-thinking solo career. Print edition only

  3. 9.0 |   Spill Magazine

    It’s a huge credit to Gordon that, even in her 70s, she’s writing something so fresh, different, and plain relevant
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  4. 9.0 |   All Music

    If The Collective was punishing in its density, Play Me is its equal and opposite: leaner and more melodic without sacrificing invention. It's an album that reaffirms Gordon still knows how, and why, to push forward
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  5. 8.3 |   Beats Per Minute

    In a time when chaos and unpredictability are the experience de jour, one can push reality away or embrace it. Gordon does the latter. With unflagging allure
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  6. 8.0 |   The Skinny

    Kim Gordon has mastered a modern mixture of distorted guitar and intense trip-hop beats with the release of her most political solo album
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  7. 8.0 |   Clash

    Kim Gordon proves herself again as a worthy spokesperson on the plight of modern-day life through her own unending experimentation. For a 2026 experimental capitalist-critique, dedicate half an hour of your time to this album. You won’t regret it
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  8. 8.0 |   musicOMH

    Her third solo album succinctly sums up the surreal, terrifying and bewildering times we find ourselves in – and on her own terms
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  9. 8.0 |   Mojo

    With [producer Justin] Raisen, she creates a powerhouse sound, one that twists so it can't be easily "curated", labeled, boiled down for vibes. Print edition only

  10. 8.0 |   Record Collector

    It succeeds by drawing in the listener and urging them to do some interpretative work. Print edition only
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  11. 8.0 |   DIY

    Often, it’s hard to tell whether it’s not all just a big wind-up. But maybe that’s the point
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  12. 8.0 |   NME

    Life begins at 72 as the Sonic Youth icon deconstructs these doom-scrolling times via a trip-hop driven nightmare
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  13. 8.0 |   Exclaim

    With Trump, Musk, Bezos et al. filling the Nero slot, it's up to Gordon and others like her — though few truly are — to point their own propaganda back at them. Sometimes resistance is a rhythmic thing
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  14. 8.0 |   PopMatters

    Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me
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  15. 8.0 |   Dork

    'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll
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  16. 8.0 |   The Quietus

    She’s incorporating sounds and techniques that – and apologies for bringing age into it – most other septuagenarians would recoil from
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  17. 7.0 |   Far Out

    It’s brutal, unrelenting and at times jarring, even for Gordon’s standards. But ultimately, that is the absolute point of the record, being released in a time of desperate societal and political urgency
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  18. 7.0 |   The Line Of Best Fit

    Her list-like lyrics and droning delivery, merging with Raisen’s dystopic production to nail the frictionless abstraction of contemporary culture. But still, whether it’s a particular melodic strain or the way a synth aches out under a beat, the emotions remain
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  19. 7.0 |   Pitchfork

    Kim Gordon’s third solo album is the most populist and literalist music of her career. Her sharp style and wit remain, but absurdity and ambiguity are missed
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  20. 7.0 |   Northern Transmissions

    Consider, then, Kim Gordon’s PLAY ME as a window to that harrowing world of nausea, bad lyrics, gnarly dance beats, and for-profit mentality
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  21. 6.3 |   Spectrum Culture

    While PLAY ME is an indulgence that can be allowed, it feels like a lesser work given her accomplishments and clear artistic ambitions
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  22. 6.0 |   No Ripcord

    While The Collective felt novel and boundary pushing, PLAY ME, though similarly adventurous, aims to reflect our daily anxieties with tired commentary that risks dating itself
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  23. 5.0 |   Hot Press

    It all reaffirms Gordon’s status as a fearless art-rocker, even if the results make for a decidedly uneven album
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  24. 4.0 |   The Arts Desk

    Crucially, on these tracks she’s also started to adopt the vocal patterns of “mumble rap”
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