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9.0
145122
9.0 |
Rolling Stone
The star’s third album dives more fully into her inner world, with a bigger, more satisfying sound to match
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6.7
145123
6.7 |
Consequence Of Sound
Abrams' vocals on her third album are outstanding, but she ends up limiting herself with her songwriting approach
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6.4
145156
6.4 |
Northern Transmissions
Daughter from Hell goes in two directions—aside from a few bold moves, it still doesn’t distinguish Abrams amid a crowded field of singer-songwriters. What hell was raised?
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6.2
145124
6.2 |
Pitchfork
Working once again with Aaron Dessner, the songwriter sticks to her signature blend of bulletproof pop and melancholic indie folk, but the few risks she takes result in her best songs yet
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6.0
145125
6.0 |
All Music
A remarkably one-dimensional album, although it's potentially made to order for fresh wounds, blue moods, and especially the emotional rawness of youth
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6.0
145126
6.0 |
NME
More plodding than enlightened, the 26-year-old singer-songwriter’s contemplative third album shows she still has more growing to do
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6.0
145138
6.0 |
Clash
Production feels like the next stage of success Abrams needs to bring into her realm of talent in order to push boundaries we have not yet heard, then we can truly hear the lyrically rebellious artist raise hell
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6.0
145158
6.0 |
Hot Press
If Abrams can marry this newfound ambition with the emotional precision that made her earlier work so compelling, this will look less like a destination than a necessary detour
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5.9
145207
5.9 |
Spectrum Culture
Despite containing some of Gracie Abrams’ strongest songwriting, Daughter from Hell gradually loses sight of its own identity, resulting in a record that is as frustrating as it is affecting
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5.0
145145
5.0 |
Slant Magazine
The singer has yet to discover a sound or sensibility that truly distinguishes her
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5.0
145150
5.0 |
Exclaim
Secret showcased the potential Abrams has to become the kind of main pop girlie referred to by first name only. It's disappointing, then, that Daughter from Hell often feels like following up a summer blockbuster with a telemovie
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4.0
145127
4.0 |
The Guardian
Despite their goth-coded attempts at emotional turbulence, the saccharine songs of Abrams’ third album feel adolescent in their melodrama
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3.3
145152
3.3 |
Paste Magazine
Sounds like an already-dated relic of the COVID era of pop music dominated by breathy, sedated vocals and minimalistic guitar-and-piano arrangements
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