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10.0
147114
10.0 |
DIY
Structurally, this is chaos by design
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9.0
147085
9.0 |
Slant Magazine
The album transforms obsolete technology and jingles into a euphoric exploration of nostalgia
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9.0
147088
9.0 |
Clash
Mad, joyous and utterly absorbing, ‘No Bad Memories’ proves that more than two decades on, The Avalanches can still surprise, and still make a concept this heady feel like pure play
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8.2
147131
8.2 |
Pitchfork
Patching in audio logos and advertising dialog without interrupting the dreamlike sampledelic flow, the Australian band’s new album summons nostalgia for the era of truly mass media
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8.0
147073
8.0 |
Far Out
It’s masterful because it feels like the last party before the end times
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8.0
147128
8.0 |
The Quietus
All these jingles, disk-drawer sounds, error parps and proprietary signatures might be the first elements they’ve used we can all relate to directly. Just another route to joyous shared experience
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8.0
147061
8.0 |
The Arts Desk
It still forms a cohesive whole, never wavering from the basic concept - no matter how disorientating and claustrophobic it may become
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7.9
147097
7.9 |
Still Listening
The Avalanches sift through fragmented memories, advertising jingles and an unlikely cast of collaborators on a fourth album whose sunny exterior conceals a restless undercurrent
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7.9
147103
7.9 |
Northern Transmissions
At 31 tracks in 52 minutes, it plays less like an album than like an evening of channel-surfing in 1998, with the remote in the hands of someone who has had a great deal of sugar
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7.5
147105
7.5 |
Paste Magazine
The Australian plunderphonics group use commercial jingles and analog technology as a counterpoint to the false, grotesque fantasies generative AI induces
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7.0
147090
7.0 |
musicOMH
The outfit's fourth album explores nostalgia, childhood imagery, and the hypnotic power of modern advertising. As a commentary on consumerism, it's a fascinating achievement
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6.7
147122
6.7 |
Spectrum Culture
A trip through advertising sensations that haunt childhood memories and stick around forever. The Avalanches mine this concept imaginatively, even if the individual songs and overall flow sometimes fail to impress
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6.0
147063
6.0 |
NME
The dance duo’s fourth album is their most eclectic and chaotic to date, for better and for worse
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