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Outburst

Turin Brakes

Outburst

Fifth studio album of folk tinged indie rock from London duo Olly Nights and Gale Paridjanian

ADM rating[?]

6.1

Label
Cooking Vinyl
UK Release date
01/03/2010
  1. 8.0 |   musicOMH

    Without wishing to unduly gloss over the intermitting albums, Outbursts captures and builds upon the intangible beauty of their debut effort. Turin Brakes are, once again, a must-hear
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  2. 8.0 |   Q

    Print edition only

  3. 8.0 |   Mojo

    Print edition only

  4. 8.0 |   Clash

    ...most notable in its return to something simpler
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  5. 7.0 |   The Quietus

    The work of a richer, freer and more bombastic Turin Brakes, and undoubtedly a move back toward the terrain they once ruled
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  6. 7.0 |   Independent on Sunday

    There's a soft-rock, almost countryish 1970s feel that perfectly suits them and finds the pair in better voice than at any time since The Optimist
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  7. 6.0 |   Rave Magazine

    A suitable Sunday morning listening, but don’t expect amazing revelations – Outbursts is a thoroughly down-to-earth fare
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  8. 6.0 |   Uncut

    Print edition only

  9. 5.0 |   The Observer

    Heavy on swelling violins, there's nothing here to match the singles from 2001's The Optimist LP
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  10. 5.0 |   The Line Of Best Fit

    While there isn’t anything truly dreadful on the album, there isn’t anything all that memorable here either, and conceivably the worst thing you can say about art is that it’s forgettable
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  11. 5.0 |   Under The Radar

    Knights' clear tones don't vary much, the string plucks don't stray far from a safe middle ground, and the melodies blend together into one unidentifiable, sometimes draggy, whole
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  12. 4.0 |   PopMatters

    Before long we’re settling into dinner party music: too heavy on orchestration in places, mundane, riddle-riddled couplets that are just a little too expressed for their own good
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  13. 3.8 |   Pitchfork

    No matter how stripped down or underwritten they sound these days, Turin Brakes still always come off like they're actually really trying, which is the saddest part about it
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