1 October 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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More instrumental post-rock, techno / electronica samples and beats from the Sheffield quartet on their 4th album
8.0
The incredibly detailed, layered and proficient way in which they combine so many different elements to allow a track to develop is intriguing, and gives an enjoyable sense that the unexpected is just around the corner Read Review
65daysofstatic have grasped hitherto unimagined opportunities, capitalised on experiences and brought an eclectic yet huge arsenal with which to entice newcomers and open-minded veteran travellers with Read Review
It’s an album that flows superbly and, although there is nothing to match the emotional monster ‘Primer’, from their last album, there isn’t one track that you’d replace here for any other Read Review
Contains more good ideas than many bands fit into a whole caree Read Review
Despite the many different types of departure 65daysofstatic takes, they do it all with flair and consistency. Hopefully, the band will grow from here, and make their new sound's equivalent of The Fall of Math Read Review
The band delight in the same complicated, frantic musicianship as Battles Read Review
Noisy or electronic, We Were Exploding Anyway has rekindled the old flame with its unabashed power and inexorable sonic passion Read Review
65 haven’t so much created a new sound as successfully renovated their old one; added some extensions and given the whole thing a fetching new paintjob Read Review
65daysofstatic have had their years in the wilderness; now they're sick of it and have decided to fully let loose, bludgeoning us into submission along the way Read Review
They may have lost a few die-hard post-rock fans but that is a small price to pay as We Were Exploding Anyway will surely bring them an army of new listeners who don’t care about labels but just want to hear great music Read Review
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65daysofstatic: We Were Exploding Anyway
Protomartyr Hotel Usona
Hotel Usona is the perfect accompaniment for Protomartyr's dark themes. It's a calculated mess, grandiose pomp in squalid decay, a steely examination of the modern moment Spectrum Culture
Gilla Band Pugnello
We’ll always need a challenging band that pushes us past our limits, and Pugnello continues their crusade to deafen their audience in the most wonderful way Under The Radar
Gilla Band emerge as spokespersons for our age of solipsism, dissecting and lampooning these proclivities. If we can’t laugh at ourselves, we’re doomed PopMatters
Tinashe Popstar
On Popstar, Tinashe remains at the front of the class, teaching material she has known long enough to deliver with her eyes closed Exclaim
For all of her career, Tinashe has questioned what it means to be a popstar, and here, she does so explicitly. But Popstar is less of a thesis statement than a coming to terms with the identity she's chosen for herself The Line Of Best Fit
The musician’s eighth full-length combines some of her most experimental, genre-blending sounds with her stickiest hooks on an autobiographical trip through stardom and celebrity Paste Magazine
Tinashe’s eighth album is her best and bravest yet: more ambitious, more focused, and effortlessly in touch with the zeitgeist. It’s the best pop album of the year Pitchfork
American R&B artist expands her palette and subverts expectation on liberatingly chaotic and fun eighth album musicOMH
Tinashe is no longer chasing approval. Instead, she’s bold, unpigeonholeable and certain of who she is as a person and artist NME
Beck Ride Lonesome
While many of the orchestral flourishes on Ride Lonesome do not feel as impactful as those on past albums, they still serve as a reminder that Beck can lend even his more nondescript moments a sense of refinement No Ripcord
Neil Young and The Chrome Hearts Second Song
The legendary Canadian looks back over his life in unashamedly nostalgic, romantic fashion with supremely poignant results musicOMH
Johnny Marr The Age of Everything
Former Smiths guitarist's fifth solo album may not contain any surprises but sees him refine his songwriting chops and deliver a solid record in the process musicOMH
Wishy Wishy
The Indianapolis band’s second album is all big feelings and bigger hooks as songwriters Kevin Krauter and Nina Pitchkites level up from their already promising debut NME
Nature's Pill is sexy and brash, but not without touching on the disappointment that comes with trying people on in an attempt to crystallize who you are Exclaim
Besides its transportive nature, this medicine is Wishy’s own because of the ponderous hooks from vocalists Kevin Krauter and Nina Pitchkites, who somehow find their place among the abundant sonic tchotchkes The Line Of Best Fit
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways