14 August 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fourth release of furious mashups of everything from metal to hip hop by the Pennsylvanian
6.2
All Day’s real pleasures come once the listener has mastered the album’s geography and cleverly constructed internal logic Read Review
Despite the sheer number of party DJs and bedroom mashup artists, All Day further proves nobody does it better than Gillis Read Review
Those who weren’t sold on Gillis’ act before aren’t going to change their minds, but his records are consistently great, and All Day is no exception Read Review
The more parties this gets played at and the more of those people go dance at his ridiculously fun live show, the more meaningful the album will become Read Review
Girl Talk can only make these very similar albums so many times, right? He does have the ability to grow or change or innovate from here, doesn’t he? Read Review
All Day is a great deal of fun Read Review
Gillis may have cornered the free-download market for mashups, but there are far better remixers out there Read Review
All Day is a misstep of the worst kind, wherein Gillis’ craft devolves from transformative to parasitic Read Review
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Ariana Grande petal
As a soundscape, Petal is an improvement on the watery Eternal Sunshine, curating a backdrop that is airtight and focused on the minute instrumentation Spectrum Culture
Tyla A*Pop
Grammy winner Tyla returns from her historic win with an album that doesn’t arrive merely as an album but as a bold declaration that African pop is a structural pillar of the global mainstream, rather than a localized niche Spectrum Culture
Phoebe Bridgers Lost Weekend
Airier and stranger than anything she has made: 16 songs split between losing her father and falling headlong in love The Arts Desk
The Mountain Goats Days
The Mountain Goats don’t go all in on a 1990s grunge-inspired record, but instead look back on that period with a fresh perspective PopMatters
For her third solo album, Phoebe Bridgers expands and contracts, capturing experiences that are strange, solitary, and hers alone. It is the quietest, most cohesive record in her discography Pitchfork
‘Lost Weekend’ doesn’t contain the cohesion of Phoebe Bridgers’ prior works – an album that sometimes feels like a pair of lungs, inhaling and exhaling, it’s capable of stretching and shrinking to suit her mindset Clash
Man/Woman/Chainsaw Cannonball
It’s a genuinely exciting debut: six people who once made noise nobody asked for, have come out the other side making exactly the record that captures their true potential Clash
John Carpenter Cathedral
Carpenter has always excelled at the “less is more” approach to music, but it is here in Cathedral that this discipline is used to build something claustrophobic and heavy. It’s not just music that follows the listener; it surrounds them Spill Magazine
John Carpenter’s Cathedral is fantastic listening, mixing what listeners likely love about the horror director’s scores with new sounds. When blending the soundtrack with the graphic novel, it’s a less satisfying experience, though still worth it for Carpenter fans Spectrum Culture
While an intriguing narrative idea that longtime fans will lap up, John Carpenter’s “heavy metal” exercise with his trusty son and godson band can just never shake off a tacky air that robs the album of its Gothic dread or evocative transport Far Out
The closest thing to a heavy metal album the horror master has made sports all his hallmarks – depth, gravitas, riffs that could power an substation, and a strong sense of gathering tension musicOMH
Its still one of the most exhilarating things Carpenter has released. It’s up there with ‘Halloween’, ‘They Live’ ‘Ghosts of Mars’, and ‘The Thing’. Sit down and strap in as the Master of Horror has a journey for you! Clash
If not quite vintage Carpenter, his trademarks - unsettling repeated refrains ("Redemption"), moody bass lines ("Primeval") and dramatic key changes ("Back To Ruins") - extol an unceasing gift for evoking creeping dread. Print edition only Mojo
Some of their tonal subtleties have been sacrificed in the process, but there's no denying the dramatic punch of pieces like "The Ferryman" and the semi-operatic "Elevator Two". Print edition only Uncut
"Lord Of The Underground" is Metallica-grade dirge-rock, while the rolling rhythms of "Revenge" and low-end synths of "Resolution" provide fittingly ballistic, moody climaxes to an auteur-grade album if devilish delights. Print edition only Record Collector
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways