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David Kilgour and The Heavy Eights: Left By Soft
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Tame Impala
Deadbeat
Kevin Parker’s long-awaited fifth studio LP fulfills the promise of poppier, techno-focused sounds, but rarely fuses the two, leaving you wishing for fewer hooks and more trance
Paste Magazine
Sudan Archives
The BPM
The sensual, sonorous third record from Brittney Parks takes her already dexterous technical skills to the club, fusing her R&B pop background with Detroit and Chicago-influenced experimental beatwork and an earnestly optimistic take on technology
Paste Magazine
Tame Impala
Deadbeat
'Deadbeat' comes off rather downbeat despite the undeniable groove
The Arts Desk
The Last Dinner Party
From The Pyre
A bold, spellbinding second album, one that actually eclipses Prelude to Ecstasy not by outshining it, but by adding more depth to their oeuvre
Under The Radar
Tame Impala
Deadbeat
On Deadbeat, his first album in five years, Kevin Parker mixes frazzled moods and plush beats
Rolling Stone
Tame Impala
Deadbeat
Kevin Parker's fifth album as Tame Impala has a few bangers, but the club-psych experiment yields mixed results
Consequence Of Sound
Jay Som
Belong
Jay Som’s guitar may have taken a more minor role, but the production and attention to the tiniest details throughout Belong show a new level of artistry.
PopMatters
Tame Impala
Deadbeat
Kevin Parker’s latest offering is patchy and overly synthetic, failing to hit the heights of his generation defining previous albums
musicOMH
Madi Diaz
Fatal Optimist
A triumph of less being more and substance over instant gratification, it is intriguing to ponder how ‘Fatal Optimist’ will be viewed four decades hence
Clash
Tame Impala
Deadbeat
Though he is still the mastermind behind Tame Impala, the Aussie composer is starting to sound more and more like one person in a studio — a fact that used to blow people’s minds
Clash
Skullcrusher
And Your Song is Like a Circle
A song like "Maelstrom" lets loose with a thundering bass drum and more-distant syncopated snare. For the most part, though, tracks levitate above ground along webs of acoustic guitar, piano, layered vocals, and atmospheric shimmer to the point where it's sometimes difficult to distinguish one song from another
All Music
Skullcrusher
And Your Song is Like a Circle
Helen Ballentine mixes ambient electronic harmonies with her signature spectral confessionals on her sophomore album
Paste Magazine
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