13 November 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Seventh album from the California alt.rock five-piece
4.4
While its closing moments provide some of the best of the band’s career, it looks like the album’s titular question will continue to be pondered for some time yet Read Review
Incubus fully embrace surf-bum balladry Read Review
The album will sell because of who they are, and the tracks will remain enjoyable because they sound good Read Review
Oh dear. Just as surely as Coldplay did, just as surely as Kings of Leon did, and just as surely as Audioslave did for a couple of singles, Incubus have turned into U2 Read Review
If Not Now, When? is frustrating in many ways, chiefly because it feels like a step in the wrong direction for a band that can still pen enthralling tunes Read Review
Dilutes the hard-edged funk rock of their early-2000s peak popularity into slick, inert ripples of interchangeable power pop Read Review
Simplicity isn’t always a bad thing; “Here In My Room” is a great example of that, but here, however, Incubus just seem lazy Read Review
The 2011 incarnation of Incubus is a depressingly dull and sterile proposition and, really, we wouldn’t wish these bland wet blanket anthems on anyon Read Review
Boyd seems to have styled his vocal performances on this album as if he was auditioning on American Idol Read Review
Brandon Boyd seems to have taken control of Incubus’ musical direction and put himself even more centre-stage. Too many songs are simply a vehicle for him pushing his voice to its limits, and little else Read Review
The passion that used to drive their music was once furious, but is now soppy and infinitely uninteresting Read Review
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Incubus: If Not Now, When?
U2 Carnaval de Luz
This is not a radical reinvention of Rattle And Hum-to-Achtung Baby magnitude, or even a wilful evolution akin to that from How To Dismantle An Atom Bomb to No Line On Th Horizon. The ghosts of U2's past are summoned in numbers, though they are frequently mischievously partnered to interestingly incongruous effect. Print edition only Uncut
The Irish legends' best work in 25 years homages their eras, brings Brian Eno to bear on keys and even wheels out the late Dolly Parton musicOMH
Royal Blood Dead Company
It’s a record that sounds exactly like you would hope a new Royal Blood album would sound like, it’s little wonder that they are as big as they are, a consistently fine listen God Is In The TV
Kings Of Leon O My Beloved
With Carnaval De Luz they are not reinventing themselves or trying to be the current flavour of the month. What they do with this album is revisit their older glories and create new music and sound Spill Magazine
U2 return with a defiant and celebratory record that captures them still at the height of their powers Hot Press
This is Lorelei The Singer In My Band
Nate Amos fills his latest album with other people’s stories: some linger, others get lost in the scenery Still Listening
Out for blood! Brighton bruisers Royal Blood blast back-to-basics on fifth album Kerrang!
Mike Kerr and Ben Thatcher floor the accelerator and embark on another collision course of energised and uncompromising riff-rock for album number five NME
Dead Company is arguably the best album they’ve released since their debut, but doesn’t exactly come close to topping it Sputnik Music (staff)
Royal Blood's latest album is competently made and frequently enjoyable, but almost entirely foreseeable The Skinny
There are no frills on this fifth set, once again self-produced by Kerr and Thatcher; instead, it provides a brisk hard rock assault that should please the faithful and entice newcomers to dig into their back catalog All Music
Bono and co. return to full strength with a celebration of hope over despair Mojo
Twisted Teens The Holy Cross Tigers
They revamp the work of their progenitors while at the same time transcending it. Never wandering too far from the music that inspires them, Twisted Teens occupy a space that is distinctly theirs Beats Per Minute
Shygirl Swallow!
The UK electronica figurehead takes a sentimental turn on her tender but assured sophomore release Paste Magazine
The Irish stadium legends’ latest is pedantic and ambiguous, rife with centrist pandering that ends up saying nothing at all Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways