Albums to watch

The Rip Tide

Beirut

The Rip Tide

Third album of Eastern European gypsy-flavoured folk/pop hybrid from New Mexican experimentalists fronted by Zach Condon

ADM rating[?]

7.6

Label
Pompeii
UK Release date
29/08/2011
US Release date
30/08/2011
  1. 9.0 |   Beats Per Minute

    Condon’s strongest album yet and points to a songwriter maturing and only beginning to unveil his potential
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  2. 8.5 |   The Line Of Best Fit

    A gorgeously refined album that stands equally for the beauty of the eternal journey, as well as the ultimate appeal of actually finding what you’ve been searching for all this time
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  3. 8.0 |   The Irish Times

    The blaring horns and waltzing strings are still here, as are the klezmer stylings, but there’s more experimentation with tempo and sound
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  4. 8.0 |   BBC

    Full of sweeping flourishes and the kind of weary romanticism Condon could probably patent by now
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  5. 8.0 |   The Scotsman

    The songs are the main event, rather than the bells-and-whistles arrangements
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  6. 8.0 |   Paste Magazine

    Eastern European texture and indie-folk don’t necessarily make for great bedfellows, but here the match seems strikingly natural, and that’s probably a tribute to Condon’s deftness
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  7. 8.0 |   Blurt

    It is not so much that the band has shrugged off its Latin and European influences; more that these influences have been assimilated seamlessly into the whole. The Rip Tide retroactively validates its predecessors: it proves Condon's purity of purpose
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  8. 8.0 |   AU Review

    You get the impression that much of The Rip Tide was something of an exercise in restraint for Condon, but by focusing his flights of fancy, he has found a comfortable middle ground
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  9. 8.0 |   Bowlegs

    What this satisfying album does is show all sides of Beirut at its best
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  10. 8.0 |   Tiny Mix Tapes

    The Rip Tide simultaneously strikes a nerve and soothes it; that's a pretty old trick, but Beirut have done it with the right mixture of solipsism and grace
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  11. 8.0 |   Sputnik Music (staff)

    Beirut may have taken a break from composing the music of reverie but they've settled somewhere with as much life to colour
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  12. 8.0 |   God Is In The TV

    Clearly Beirut’s most coherent, developed and accomplished work yet
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  13. 8.0 |   musicOMH

    This is the most consistently impressive Beirut record yet
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  14. 8.0 |   The Skinny

    Rather than solely tread a familiar path or throw a divisive curveball, The Rip Tide succeeds at giving us the best of both worlds
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  15. 8.0 |   Mojo

    Beirut's first full album in four years, sees Condon toning down the Phileas Fogg approach, assimilating his influences rather than flaunting them like stickers on a steamer trunk. Print edition only

  16. 8.0 |   Q

    Beirut, on their own, idiosyncratic term, have slipped into the mainstream. Print edition only

  17. 8.0 |   Uncut

    Marks a necessary and welcome evolution of Beirut from bedroom fantasy to real-world concern. Print edition only

  18. 8.0 |   Drowned In Sound

    The album that sounds most like the product of a whole band working in unison, while retaining many of the quirks that set Beirut as a unit apart
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  19. 8.0 |   The Digital Fix

    With The Rip Tide, Condon has well and truly cemented himself as a captivating and whimsical song-writer
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  20. 8.0 |   Clash

    The Rip Tide retains the distinctiveness of those earlier records. Its quiet magnificence is destined to win over a lot of doubters
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  21. 8.0 |   NME

    An accomplished, restrained record
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  22. 8.0 |   State

    The Rip Tide presents a matured Beirut, one that gleams in a whole new majesty
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  23. 8.0 |   The Guardian

    The thrill here is of witnessing a songwriter's talent maturing
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  24. 7.7 |   Pitchfork

    A record that's easier to slip by unnoticed than Beirut's two other LPs
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  25. 7.5 |   A.V. Club

    Will probably be the band’s biggest hit yet, because it’s hooky, full, and easy to enjoy. Yet it does sacrifice some uniqueness
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  26. 7.5 |   Pretty Much Amazing

    Sounds like Condon is still playing dress-up, rather than finding his own artistic voice
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  27. 7.0 |   Slant Magazine

    Sounds like a marked step in the right direction, a bid for freedom from influences and trends
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  28. 7.0 |   Rave Magazine

    A woody, beautifully mournful collection of pop songs
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  29. 7.0 |   DIY

    While never wowing, does a damn fine job of pleasing
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  30. 7.0 |   The Fly

    A comfortingly familiar return
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  31. 7.0 |   Consequence Of Sound

    What Beirut strive for and achieve on this record are simplicity and a slightly sunnier disposition
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  32. 7.0 |   Under The Radar

    There are flashes and flourishes throughout The Rip Tide that recall influences explored on earlier recordings
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  33. 7.0 |   Prefix

    It's a solid pop record, top to bottom
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  34. 7.0 |   No Ripcord

    Amazing music for laying around on a Sunday afternoon and pretending to be somewhere you’re not
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  35. 6.0 |   The Independent

    A more mature crossover style in which accordion, pump organ and down-at-heel horns combine in ways that bring to mind Sufjan Stevens
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  36. 6.0 |   The Observer

    Fans of long standing might actually find The Rip Tide a bit too restrained now that Beirut sound more assured
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  37. 5.0 |   PopMatters

    As an EP, The Rip Tide would be a rousing success. But as it is, there are just too many bland, uninspiring tracks that drag down the whole experience
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