26 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fifth album and first for seven years from the English psych-rock / electronica band led by original member Richard Fearless
6.8
Impeccable influences are combined to create something new and exhilarating. Print edition only
Aurally striking, deeply sensual record. Print edition only
Tough, transcendent and sexy in a rather odd fashion, Trans-Love Energies is a fine return Read Review
An album that is musically and thematically filled with space, both roomy and outer Read Review
It's clear that Trans Love Energies has been a long time in the making, but Fearless has managed to make it sound like a fresh piece of work Read Review
In typical Death In Vegas style, Trans-Love Energies is all over the place in the best possible way Read Review
A work that, if not conceptually adventurous, at least takes its recycling seriously Read Review
At its best, the album triumphs in volume and viscerality rather than inventiveness Read Review
A master-class of pulsating euphoric electronica Read Review
Yes, this is record collection rock - but Fearless has a particularly good record collection Read Review
Dreamy, yet edgy and slightly unsettling Read Review
As the final gasps of our terminal summer make way for longer nights and darker thoughts Trans-Love Energies sounds a fitting note of decay, married with enough volume for the tinnitus to keep until spring Read Review
Electro fused psychedelic rock, hypnotic undertones, and energetic songs with more substance than most Read Review
This is a vital reimagining not a retro homage. Print edition only
Lacks the hooks of Death In Vegas’s most popular work Read Review
Seven years on from Satan's Circus, Death in Vegas' prime mover Richard Fearless doesn't seem to have moved on at all Read Review
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Death In Vegas: Trans-Love Energies
Fcukers Ö
Nothing about the album asks permission: it wants a dancefloor, a crowd and a slightly irresponsible amount of volume Dork
A swift album that’ll prove difficult to grow tired of DIY
Altogether, Ö feels like candy: addictive, sweet, glossy; the ultimate sugar rush. While it remains to be seen if there's a crash coming, Fcukers are undeniably the life of the party Exclaim
For a band sold as New York's next great party-starters, much of the debut album from Fcukers feels oddly undercooked The Skinny
It doesn’t take itself too seriously, and it’s exactly what’s needed heading into summer. Fcukers know what they do best, and they are at the top of their game. Who’s ready to keep up with them? The Line Of Best Fit
Robyn Sexistential
After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love The Guardian
Underscores U
This is a proper pop album, not in spite of its oddness, but because of it Dork
James Blake Trying Times
It’s not Blake’s most immediate album, and probably not his most consistent. But it might be one of his most honest, not because it says more, but because it leaves more unsaid Beats Per Minute
The Twilight Sad It's The Long Goodbye
Six albums in, they’ve delivered something that feels both intensely personal and completely universal. It’s The Long Goodbye doesn’t try to dress anything up or soften the edges. It sits with the reality of loss and lets it unfold in its own time XS Noize
The Black Crowes A Pound of Feathers
Chris and Rich Robinson didn’t twiddle their thumbs when putting together this bubbling cauldron of rock, blues, soul and funk – A Pound Of Feathers was done and dusted in just 10 days, and benefits from both discipline and spontaneity Record Collector
The essence of what has driven Robyn’s 30-plus year career DIY
Questioning everything about love, life and sex, Robyn takes us on a joyride that’s both serious and silly NME
BTS ARIRANG
After nearly four years, the world-conquering boyband are back, bringing with them new reflections on life and shining light on more facets of their cultural heritage NME
In so clearly seeking to recapture a certain kind of early-millennial energy in its production and songwriting, Sexistential perhaps forfeits the potential to be its own thing in a way that Honey indisputably was Exclaim
With the shackles of the majors thrown off, Trying Times seems like the most fun Blake has had in a while Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways