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9.0
31960
9.0 |
The Line Of Best Fit
By increasing the volume, Peggy Sue has unleashed a brooding monster that demands your attention. Essential stuff
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9.0
34045
9.0 |
PopMatters
One of the finest returns of the year
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8.0
35066
8.0 |
Blurt
One of the most scattered, schizophrenic, soul questioning - and beautiful and best records of the year
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8.0
35115
8.0 |
Blurt
One of the most scattered, schizophrenic, soul questioning - and beautiful and best records of the year
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8.0
31961
8.0 |
The Fly
A beguiling, brilliantly unsettling and above all mesmeric listening experience
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8.0
32008
8.0 |
BBC
This is a record that withstands listen after listen, each element holding its own against the other
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7.5
32210
7.5 |
Bowlegs
Acrobats may be known for their flexibility and manoeuvrability but the trio have no need to change for anyone, they’re doing just fine thanks
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7.5
31962
7.5 |
The 405
Peggy Sue have thrown their acoustic guitars to the winds, and though maintaining the darkness of their maiden album, Acrobats is a heavier, slow burning album
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7.0
32316
7.0 |
DIY
Atmospheric, maudlin songs
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7.0
32619
7.0 |
Drowned In Sound
Offers glimpses of a darker side of Peggy Sue; hopefully it's an omen of more to come
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7.0
35474
7.0 |
Rave Magazine
An album of layers and shades that is guitar-driven but not without rhythmic direction
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7.0
35076
7.0 |
Rolling Stone
Peggy Sue locate the precise point where heartache gives way to bloody vengeance and mine that darkness for all it's worth
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7.0
32004
7.0 |
NME
A huge step forward for them
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6.0
32680
6.0 |
Uncut
A seriously dense and elaborate album. Print edition only
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6.0
31963
6.0 |
AU Review
Katy Beth Young and Rosa Slade’s mournful vocals are complemented by pattering drum rhythms to create an at times funereal atmosphere
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