25 January 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third self-released mixtape of 2011 from Canadian R&B singer-songwriter Abel Tesfay
7.7
Let the complete composition wash through your neurons and take it for what it is: a completely brilliant beginning to what hopes to be a long and bright career Read Review
The final mixtape in his trilogy is a perfect ending Read Review
House of Balloons, Thursday, and, now, Echoes of Silence, thus far, capture one of the most singular musical acts of the decade Read Review
A more straightforward take on contemporary R&B than its predecessors Read Review
Echoes of Silence exudes a brazen, animalistic confidence. The production is impeccable but never showy. The songwriting is tighter and more streamlined Read Review
Echoes of Silence and its two predecessors represent a pretty staggering achievement from a brilliantly provocative and daring new artist Read Review
This is his most straightforward take on radio R&B yet Read Review
Tesfaye has explored some of the dankest, darkest corners of our world, and thus has crafted some of the most compelling and captivating music for its genre Read Review
Maintains some of the sounds fans know and love while evolving and establishing Tesfaye as a powerful vocalist who can tackle a mic like the best Read Review
A record that goes well beyond the plush glumness of his pal Drake to make sex seem downright sepulchural Read Review
Disappointing as Echoes of Silence may be as a collection of songs, it nonetheless serves its purpose in giving the Weeknd's triptych a suitably grim finale, and pushing the most extreme aspects of Tesfaye's sound about as far as it can go Read Review
Echoes of Silence shows that Abel Tesfaye continues to evolve, and it offers a glimpse of potentially exciting future Read Review
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The Weeknd: Echoes Of Silence
Mogwai The Bad Fire
‘The Bad Fire’ might not cure your January blues entirely but it’ll at least provide a glimmer of hope to get you through the bleakest of months. All in all, an utterly enthralling 11th studio effort from these avant rock stalwart Clash
Rose Gray Louder, Please
The up-and-coming British artist shines on her vibrant, hedonistic debut album musicOMH
FKA Twigs Eusexua
Twigs’ third album brings club music into her sensual, supernatural world. It’s a masterful pop-star moment for the artist Pitchfork
On their 11th album, the long-running post-rockers open up disarming, uplifting new dimensions to their sound without veering too far from familiar paths Pitchfork
Saint Etienne The Night
Saint Etienne’s The Night has quite a bit going for it, but it sounds uncharacteristically forced, ultimately collapsing under the weight of its pretension PopMatters
There’s some sense of reconciliation going on between their earthier 90s sound and the synthy, spacey and sometimes poppier material that’s inhabited their last few records The Quietus
The Weather Station Humanhood
Whatever the influences at play, Humanhood works gloriously as a song cycle The Quietus
EUSEXUA is FKA twigs bizarre world-building masterclass The Line Of Best Fit
jasmine.4.t You Are The Morning
Even though the songs are painfully personal, they offer a wider hope. The world feels dark right now, but albums like this give promise that the dawn is coming The Line Of Best Fit
The experimental U.K. dance-pop artist wanted to “transcend human form” with her new album. She nails it Rolling Stone
This record boasts real emotional nuance among the unbridled passion. And to retain the power to surprise and delight when entering its fourth decade is something few bands can claim Under The Radar
Anna B Savage You And I Are Earth
Over gorgeous musical arrangements that feature contemporary Irish musicians and gentle guitar work reminiscent of Nick Drake, Savage creates an intimate, enchanted world, where footsteps are muffled by moss and magic — even the mundane sort — waits behind every tree Under The Radar
Eusexua doesn't just embrace the thrust of commercial dance, it subsumes it into the chromatic, honed prism of FKA twigs' artistry The Skinny
This is an album that seeks an otherworldly state of purity and perfection The Arts Desk
Mogwai may not be writing Happy Songs for Happy People, but in so thoroughly assimilating so many musical approaches, they’ve found a way to make massive, deranged lullabies that urge you to stay awake, ready to handle whatever life throws at you Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together