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9.0
37867
9.0 |
The Line Of Best Fit
Reinvents traditional pop for a contemporary audience, resulting in a modern classic
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9.0
38808
9.0 |
The Quietus
Insistent, warm, human, immediate. Perfect, dammit. Perfect
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8.0
37868
8.0 |
Clash
Michael Lovett’s lustrous pop take on honeyed bump and grind is blissful
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8.0
37869
8.0 |
musicOMH
A wonderfully assured and measured collection of forward thinking electronic pop
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8.0
37872
8.0 |
The Fly
A suave oneman-band on a mission to make 2012 sexy. On ‘NZCA/Lines’, he achieves his goal
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8.0
37929
8.0 |
The Observer
Short but perfectly formed synth-pop record
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7.0
38383
7.0 |
BBC
A sleek synthetic sound driven by a heart of human loneliness and longing
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6.0
38510
6.0 |
The Irish Times
It’s an attractive album for many reasons, not least because it stands out a mile from its haze- bedecked peers by bringing fascinating, focused melodies to the fore
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6.0
37873
6.0 |
Q
The sound of the '80s. With added robots. Print edition only
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6.0
37870
6.0 |
The Independent
The truly inspired thing about this debut is the way that he and producer Charlie Alex March have blended that falsetto into sleek electropop arrangements
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6.0
37871
6.0 |
The Guardian
It's a pleasingly understated album, never too busy, and – as with La Roux – the influence of Vince Clarke's work with Depeche Mode is evident
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5.0
38210
5.0 |
Bowlegs
It’s not that it’s bad … it’s just not all that good
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