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Album Title Goes Here

Deadmau5

Album Title Goes Here

Latest batch of electro / house and EDM from big-selling Canadian producer Joel Zimmermann

ADM rating[?]

5.8

Label
Ultra / Parlophone
UK Release date
24/09/2012
US Release date
25/09/2012
  1. 8.5 |   Paste Magazine

    Nothing short of infectious. With one taste you’ll crave more, until every song is frantically thumping through your head at all hours of the night
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  2. 7.0 |   Consequence Of Sound

    He can take genre-defining characteristics of house and techno and make them relevant to a group of consumers that is totally ignorant of their roots
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  3. 7.0 |   Tone Deaf

    Carefully constructed and well-worked
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  4. 6.9 |   The AU Review

    His album is commercially viable due to his popularity and the ability for it to be mixed in clubs but with a lack of peaks it is not anything that will blow your min
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  5. 6.0 |   PopMatters

    The increasing amount of exploration here may very well indicate the start of a new direction
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  6. 6.0 |   The Irish Times

    There’s little here which will come as a surprise to long-time fans – Zimmerman was never going to throw the baby out with thebath water and go heavy metal – and it’s a thumping, rollicking, highly charged affair
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  7. 6.0 |   Rolling Stone

    Deadmau5 brings a love of spectacle – and the humor of a natural ham – to his strobe-lit club anthems
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  8. 6.0 |   All Music

    Add it all up, and Album Title Goes Here doesn't come off as entitled, over the top, or celebified enough to get in the V.I.P. section
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  9. 6.0 |   Evening Standard

    The first part of his latest is tough going, all skull-cracking beats and synthesized growls, but he charms on the softer The Veldt
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  10. 6.0 |   Q

    Smartly reconfigures '90s dance for a new generation. Print edition only

  11. 5.0 |   BBC

    For all its impressive fireworks, it feels hollow as its title
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  12. 4.0 |   musicOMH

    Anything above average gets swept away by a wave of unoriginality and stale synths. Bloated and uninspiring, as it progresses, you can hear the momentum slowly disintegrating. Whether or not the popularity of EDM also disintegrates remains to be seen but lacklustre efforts like this won't help its cause
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  13. 4.0 |   Sputnik Music (staff)

    It's clear that Zimmerman has reached a crossroads of sorts, and while he should be commended for attempting to please everyone, the end result is one that simply doesn't please anyone
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  14. 4.0 |   The Guardian

    A lot of time and effort has clearly been expended on making it as generic and unfunky as possible
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