2

Mac DeMarco

2

First full-length release from the Montreal-based lo-fi slacker rock singer-songwriter

ADM rating[?]

7.4

Label
Captured Tracks
UK Release date
15/10/2012
US Release date
16/10/2012
  1. 8.5 |   Beats Per Minute

    2 finds Mac DeMarco growing as an artist, settling into a workman-like rhythm and puttering through some of the catchiest tracks of the year
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  2. 8.2 |   Pitchfork

    DeMarco writes about life - both the heavy moments and the mundane ones - with economy and newfound grace
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  3. 8.1 |   Bowlegs

    We’re still loving the wonky, sliding guitars. His lyrics are also really well set in a nest of lo fi production
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  4. 8.0 |   The Fly

    There’s a self-assured streak that keeps the 22-year-old Canadian’s second album on an even keel throughout
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  5. 8.0 |   No Ripcord

    Compared to Rock and Roll Night Club, 2 is a more polished and refined take on his brand of minimalist rock, structured around his keen songwriting
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  6. 8.0 |   Uncut

    2 deals in lugubrious lat-night lyricism. Print edition only

  7. 8.0 |   NME

    So long as he keeps singing these sweet words, you'll want to hold him close
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  8. 8.0 |   The Line Of Best Fit

    In an era of indie rock that’s very much about mixing and matching precisely chosen influences, there’s some thrilling about the way Mac DeMarco’s best work sounds like no one but Mac DeMarco
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  9. 7.0 |   Consequence Of Sound

    He owns these songs of slackerhood completely, delivering a lean collection of 11 that concisely communicate the nature of the 20-something daydreamer – no more, no less.
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  10. 7.0 |   All Music

    DeMarco is still a befuddling character, but the compressed landscape of 2 takes steps away from his cartoonish beginnings toward something equally strange, but possibly more grown up
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  11. 6.5 |   Prefix

    Gone is the sense of creeping dread that oozed from Rock And Roll’s home-recorded tunes. 2 keeps that lo-fi feel, but it’s more of a stoned jam session than a late-night street walk
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  12. 6.0 |   DIY

    It angers and delights in equal measures
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  13. 6.0 |   The Guardian

    It manages to sound refreshing, perhaps because the ground covered here is so far off rock's current beaten track
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