25 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The 'Bad Boys From Boston' return with an album of their inimitable brand of heavy rock
4.5
Full of ’70s hard rock riffs that reward every class of Aero-historian. Read Review
Dimension has some solid moments and no outright duds, but it works better as the basis for a playlist than as a start-to-finish album Read Review
Aerosmith are genuinely fighting to reclaim their soul. Print edition only
The best thing about Music From Another Dimension! is the chance to hear Joe Perry and Brad Whitford play guitar – always the best thing about any Aerosmith album Read Review
Aerosmith's original lineup is again executing with the same commitment that propelled them in the '70 Read Review
MFAD! finds them sounding like exactly what they are, namely an airbrushed, Massachusetts version of the Stones Read Review
A watery echo of what the band once was Read Review
This is not so much Music From Another Dimension as music from another time Read Review
If you thought you might like this, you’d do much better with the terrific new Kiss CD, Monster. Aerosmith’s Music from Another Dimension, however, is best left where it came from Read Review
The sound of a band on autopilot, referencing their own past with inferior rewrites of Walk This Way and a number of hoary ballads Read Review
Too much of Music… veers towards chewy chart balladry and away from the amusing blues rockers Read Review
Aerosmith's return sounds like a band realising they need to be present, but not really sure how to be Read Review
It's all sounding terribly tired now Read Review
Aerosmith may not have completely obliterated their stature as classic rock greats, but in the storied halls of rock and roll, Music from Another Dimension! resides in the geriatric wing Read Review
This is a bad album. The power ballads have some good elements. You might sing one of these songs at karaoke one day. You should not listen to this album in its entirety Read Review
No more words necessary other than Bummer Read Review
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Aerosmith: Music From Another Dimension!
Underscores U
It’s a confident evolution from her 2020 EP Character Development!, with Grey producing an utterly refined sound that encapsulates the highs of the 2010 pop, bro-step and bubblegum bass eras The Quietus
Kim Gordon Play Me
She’s incorporating sounds and techniques that – and apologies for bringing age into it – most other septuagenarians would recoil from The Quietus
BTS ARIRANG
There’s a lot riding on the sensational K-pop group’s first album in four years, but its generic songs ring hollow and lack the vim and vigor of the band’s best work Pitchfork
It’s a scintillating experience, perhaps the moment where underscores fully out-strips her peers, and comes into her own Clash
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways