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8.0
57428
8.0 |
All Music
A beautifully subtle and introspective score that highlights the strong points of its composers while serving the needs of the film it was written for
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8.0
57926
8.0 |
Drowned In Sound
Explosions In The Sky find that elusive spark
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8.0
57979
8.0 |
The Line Of Best Fit
If David Gordon Green can get performances this good out of Prince Avalanche stars Paul Rudd and Emile Hirsch then he’s on to an absolute winner – Explosions In The Sky and David Wingo are already there
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8.0
58002
8.0 |
The 405
Taken on its own, the score for Prince Avalanche is exciting enough, but when looked at in the context of what it could mean for Explosions in the Sky's future - well, it could be their watershed
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7.7
57475
7.7 |
Paste Magazine
The willingness to evolve is present, and the skill and vision to do it well are there too
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7.0
57479
7.0 |
Consequence Of Sound
Feels more like a compilation of demos for an exclusive Explosions-David Wingo collaborative studio album than a soundtrack
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7.0
58022
7.0 |
Clash
It feels unanchored and tremulous, without EITS’s signature drums – but it’s still beautiful
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7.0
57437
7.0 |
Uncut
The set ranges across elegiac piano/guitar pieces, buoyant orch-rock, luminous electronica and drone figures. Print edition only
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7.0
57463
7.0 |
PopMatters
Captures a new way for Explosions in the Sky to make instrumental music
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6.5
57425
6.5 |
Pitchfork
It's still questionable how this pretty, solemn music will work in the quirky context of Green's film, but it makes for a nice little album on its own
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6.0
57426
6.0 |
NME
It’s not an essential listen but it does exhibit plenty of moody gravitas
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5.0
57628
5.0 |
Rolling Stone
As EITS's music for Friday Night Lights proved, they really need a stage as big as a football field
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4.0
60278
4.0 |
Mojo
Spare Bayou mirage score. Print edition only
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