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8.5
59158
8.5 |
The Line Of Best Fit
There is nothing better than hearing an artist reaching the apex of his power. Trentemøller arrives at that point with this album taking its rightful place amongst the best electronic albums released this year with comparative ease
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8.0
59159
8.0 |
All Music
It's an ironic title for an album that's so sure, and even if his early fans frown as their dancing shoes collect dust, complaining about what doesn't happen on Lost seems silly when compared to the wonderful and intoxicating things that actually do
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8.0
59157
8.0 |
Drowned In Sound
An expansive, cerebral record that exposes itself with careful attention. This is powerful stuff, showing that not only is Anders Trentemøller one of the best in his field but also a master of the album craft
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8.0
59161
8.0 |
Time Out
In lesser hands it might all sound tangled, but Trentemøller’s masterful touch and creative smarts make ‘Lost’ a fascinating and intoxicating record with a wonderfully creepy - and occasionally beautiful - narrative running through it
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8.0
59303
8.0 |
Under The Radar
Takes his music to whole new heights
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8.0
60173
8.0 |
Q
It's full of high drama, intense melancholy and crepuscular euphoria. Print edition only
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7.0
59156
7.0 |
Clash
This collection is beautifully executed but stylistically restless
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6.4
59680
6.4 |
Pitchfork
The straight instrumentals on Lost are where Trentemøller ’s technical prowess is highlighted
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6.0
59160
6.0 |
DIY
There are occasional flashes of brilliance and inspiration here but for the most part it feels disjointed, a victim of 'too many cooks' syndrome
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6.0
59318
6.0 |
musicOMH
Whilst it feels like an attempt to be contemporary and fresh, much of Lost actually feels like a nostalgic and selective gaze into the past
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6.0
59412
6.0 |
Independent on Sunday
The songs are melancholy, like a goth Portishead, or kind of creepy, and even the poppiest bits could play in the background of a David Lynch film
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6.0
59170
6.0 |
Uncut
A mixed bag. Print edition only
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