22 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Album number seven from the London-born IDM producer and DJ Kieran Hebden
7.4
Harks back to early-90s rave culture, but without forfeiting his up-to-date sensibilities or typically broad range of references Read Review
The rough tones don’t register as forcefully as the hooks on previous works. That said, it’s a rewarding listen, one that eventually embeds itself once given full attention Read Review
The sound of an artist looking to cut loose, and its playful spirit proves catching Read Review
While the album does seem rather patched together with a lack of focus - it plays out like a pair of distinct EPs and a couple transitional orphans on shuffle - there's an irrefutable charm to the restlessness. Read Review
Strikes a refreshingly non-nostalgic note, due largely to his treatment of his source material Read Review
A standout in both the Four Tet oeuvre and a growing collection of dance albums that pay homage to the past Read Review
The album is visceral and unrefined, two qualities not often associated with Hebden Read Review
An album both in tune with and in thrall to the dancefloor as Heben navigates his way up and down the dial Read Review
A wholly uncompromising record that remains compulsive from start to finish. Print edition only
An effortless listen, but when it wanders it feels like a bauble, one from an artist from whom we are accustomed to receiving richer gifts Read Review
Much of his early work was heavily influenced by UK garage, and in this sense, Beautiful Rewind feels like Four Tet coming full circle Read Review
Regresses into an intensive study of hypnotic incantations and obtuse rhythms Read Review
Mixes club-ready rhythms with touches of brain-melt psychedelia Read Review
It's still recognizably Four Tet, still a cut above most EDM. It just feels a little frustrating Read Review
Beautiful Rewind is always keeping us at arm’s length, coldly allowing us to admire the craft without letting us in on the secret. It can make for a lonely listen Read Review
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Four Tet: Beautiful Rewind
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways