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9.0
60668
9.0 |
God Is In The TV
Pretty much flawless, unashamed of its frequent moments of cheesiness and its less than fashionable influences
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8.8
60750
8.8 |
Sputnik Music (staff)
A dance record boiled down to its most essential, body-shaking elements, and the purest distillation of Cut Copy’s music and their ethos yet
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8.0
60782
8.0 |
Consequence Of Sound
Dance tent, main stage, club, arena: The songs will connect anywhere
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8.0
60841
8.0 |
The Fly
They’ve remembered there’s nothing inherently wrong with channelling a love for house, electro and dreamy acoustic strum-alongs into intelligent, radio-friendly bangers
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8.0
60669
8.0 |
The 405
Though Cut Copy may cherrypick their eclectic styles, it flows flawlessly. Embark upon their journey. Enter their Vengabus
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8.0
60687
8.0 |
All Music
Cut Copy may have left behind the monochromatic brilliance of their early work, but the explosion of colors they've added like Jackson Pollock on a bender has only made their growth more interesting and enriching
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8.0
60698
8.0 |
Under The Radar
Takes their infectious mixture of kitschy disco beats and hipster-approved party glam to a new psychedelic level
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7.5
60769
7.5 |
Pretty Much Amazing
An album that’s sure to make early Acid House DJ pioneers such as Danny Rampling, Paul Oakenfold, and Nicky Holloway smile as they reminisce about that 1987 summer in Ibiza
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7.0
61087
7.0 |
Clash
Provides additional rewards for those willing to disentangle its layered arrangements
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7.0
60711
7.0 |
Uncut
Looks to the two summer's of love - psychedelia in 1967 and rave in -89 - for inspiration. Print edition only
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7.0
60670
7.0 |
NME
It’s nothing new, but it is fun
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6.7
60735
6.7 |
A.V. Club
A worthy addition to the band’s impressive catalog. Still, it’s hard not to think about the perfection that might have been
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6.5
60811
6.5 |
The Line Of Best Fit
A hypnotic and intermittently enjoyable experience, which whilst a little overextended and at times as shallow as the music it pastiches, marks a convincing enough return for Cut Copy
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6.4
60708
6.4 |
Pitchfork
Manages to be Cut Copy's most homogenous and it's most "message-based" record yet
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6.0
60714
6.0 |
Mojo
Oz quartet's Madchester-inspired fourth album. Print edition only
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6.0
60671
6.0 |
DIY
It's a 'take it or leave it' kind of record, but invest in Cut Copy's deranged aims and it'll feel like being part of a free-spirited cult
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6.0
61114
6.0 |
Drowned In Sound
Like most earnest attempts to reimagine the past, it’s an entertaining indulgence. One that exists to stave off the nagging question: what comes next?
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5.0
61039
5.0 |
The Quietus
You're having fun – on tracks like the stellar title-track and the popping candy overload of 'Let Me Show You Love' you can't help it - but increasingly it feels hollow
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5.0
60732
5.0 |
Slant Magazine
The neon-slicked dynamism that defined their songwriting for three straight albums is absent, leaving their once-sleek, libertine melodies unwieldy and limp
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5.0
60843
5.0 |
musicOMH
Everything about Free Your Mind, from its title to its monotonous songs, is undeniably lazy
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4.0
60949
4.0 |
The Irish Times
The melodies and hooks, hitherto Cut Copy staples, are sadly missing
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4.0
60667
4.0 |
The Guardian
An homage that seems to have entirely missed the point
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4.0
60757
4.0 |
PopMatters
If this album is Cut Copy’s idea of a religious experience, then I’m fine with excommunication—namely, not listening to most of these songs ever again
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4.0
60760
4.0 |
Spin
Free Your Mind takes nine jams and five tracks of trippy dialogue snippets to accomplish in 50 minutes what the Orb's "Little Fluffy Clouds" did in eight, in 1990
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