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8.3
63400
8.3 |
Consequence Of Sound
Displays a remarkably singular vision and unparalleled confidence from the unlikely pop star
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8.3
63402
8.3 |
Pretty Much Amazing
This is Ørsted at her most carefree: high BPM, easily accessible chorus, and Top 40 structures in place
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8.0
63403
8.0 |
Time Out
MØ’s debut will leave you unable to pick a favourite track. Believe the hype: Karen Ørsted is something else
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8.0
63413
8.0 |
Independent on Sunday
Enough wonk and weird, then, to distinguish Mø from other predictable dance-pop puppets. There must be something in those fjords…
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8.0
63531
8.0 |
State
Mø has just the right amount of uniqueness and talent to see her stand out from the crowd
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8.0
63321
8.0 |
The Line Of Best Fit
An exquisite collection of synthpop, dance and gushing, heartfelt emotions
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8.0
63323
8.0 |
The Guardian
Mø lets her eclectic influences percolate at their own pace, and the slinky guitar lines of Maiden are a perfect example of how hypnotic she can be
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8.0
63324
8.0 |
DIY
An album that wins out through sheer enthusiasm
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8.0
63327
8.0 |
The List
Intelligent, danceable electropop is always welcome, and the bold, dreamy females of Scandinavia are currently providing some of the best
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8.0
63333
8.0 |
The Irish Times
A strong debut that mixes edgy pop with electronica
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8.0
63447
8.0 |
musicOMH
A solid record, one that features a slightly older and more thoughtful MØ. It should make any fan of pop music look forward to what’s to come next from this gifted artis
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8.0
63486
8.0 |
No Ripcord
MØ might have just released the freshest, most joyful pop record of 2014
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8.0
64100
8.0 |
Under The Radar
The album may be a pop outing at its core, but its roots lay in electroclash, Motown, Balearic dance, and hip-hop
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8.0
69015
8.0 |
The Skinny
With a velvety darkness beneath the sugar, NMTF is not a straightforward pop album by any measure
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7.1
63332
7.1 |
Pitchfork
No Mythologies to Follow doesn't work because it assembles the right ingredients in the right amount—it works because a likable persona is something you just can't teach
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7.0
63334
7.0 |
Loud And Quiet
It’s hard not to fall for multiple cuts from her wonderfully-produced debut album, which, for the most part, is a colourful clamour of earworming gem
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7.0
63329
7.0 |
Drowned In Sound
Perhaps better taken as a really strong collection of singles (or potential singles) than a complete body of work, but that’s its only real weakness
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7.0
63326
7.0 |
The 405
She has written twelve stunning pop songs and thrown them wildly onto an LP; filler would have no place here even if it were present
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7.0
63584
7.0 |
The Music
A collection of songs that are very easy to listen to, yet edgy enough to stay interesting
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7.0
63825
7.0 |
Clash
Impulsive, instinctive and infectious, the eccentric and emotional Ørsted walks an enchanting tightrope
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7.0
63845
7.0 |
Beardfood
A lovely sunny day record
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6.9
63497
6.9 |
Paste Magazine
MØ, more than the others, follows Del Rey’s lead across many songs, but still has crafted a fun (if not particularly inventive) romp that could warm the cold winters of her homeland
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6.0
63414
6.0 |
The FT
Ørsted’s vocals are mellifluous, like a livelier Lana Del Rey, and her music, mid-tempo electropop with the odd haunting moment
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6.0
63379
6.0 |
The Observer
What she lacks in originality, she makes up for with warlike ardour.
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