3 July 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut LP of dark grime from Milwaukee's Peter Runge, following 2011's Unknown Vectors EP
7.3
This is not a record for the faint-hearted. Hell, it should come with a health warning Read Review
Among Harakiri’s rabid parts come heavily-grooved, twisted melodies that are at times arresting and at others wistful and longing Read Review
Runge’s productions aim for constant, exhausting impact over depth or subtlety Read Review
Marries complexity with club-ready thump, resulting in a dystopian dancehall of morbid booty shaking Read Review
There's some real agitation on this thing—beats that rattle like a loose drive belt, ambient percussion that sounds sourced from the static left after Earth's last radio transmission Read Review
Grime has always sounded dark, aggressive and futuristic, but also distinctly human, and Sd Laika takes the human, London-bound elements of the genre and turns them into something more primal, and much less in control Read Review
These tracks amuse and torment in roughly equal measure Read Review
Tracks seem to be rapidly exhausted, most are less than three minutes. But such are the ideas and impact of them that they linger a lot longer Read Review
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Sd Laika: That's Harakiri
Madonna Confessions II
While the vignettes of influence feel like a blazing return to 1990s glory, there’s something optimistic about it Far Out
Deep Purple SPLAT!
There’s something about Splat! that does intrinsically feel like a slap across the chops, in all its blazing prog rock glory Far Out
SPLAT! is a blast from start to finish, and whatever's in the water at Purple HQ, we want some Record Collector
The band's elemental approach peaking on the likes of "Diablo" and "Guilt Trippin'", with Ian Gillian in impressively full-throated mode and Don Airey's keyboard runs often worthy of predecessor Jon Lord. Print edition only Uncut
Producer Bob Ezrin has turned up the group's Depp Purple-ness without lapsing into self-parody. Most of the songs here crack along at a furious pace. Print edition only A.V. Club
Muse The Wow! Signal
A glam odyssey, fuses metal, techno, science fiction and prog rock into an overstuffed inferno of absurdity The Irish Times
Filtering the intervening years, experiences, emotions, and life lessons through the sounds that made her – Chicago house, Detroit techno, and beyond – it’s also a timely reminder of why Madonna was crowned the Queen Of Pop in the first place, and continues to be a vital musical force Mojo
On her most vital album in over two decades, pop music’s grande dame proves she still knows how to make us move NME
After years spent chasing trends like trap and Latin pop, Madonna settles back? nicely into? old-school dance music to tell vivid vignettes of life in 80s New York The Guardian
A celebration of the dance floor that incorporates tributes to her earliest days on New York’s club scene, the queen of pop’s new music is engineered to make you move, or indeed, sweat The Independent
Beth Orton The Ground Above
As fatigued as the space created by The Ground Above may be, it never gives into despair. To the contrary, it finds comfort in both motion and solitude Beats Per Minute
Chanel Beads Your Day Will Come
This is a record that asks for a slower kind of attention, one that finds difference inside repetition instead of beyond it. In a moment when listening is increasingly shaped by acceleration and novelty, Chanel Beads makes a persuasive case for lingering a little longer Northern Transmissions
Lizzo Bitch
The singer’s return to the limelight arrives mean-spirited, out of touch, and woefully inconsistent Paste Magazine
Another immersive, collaborative collection that grounds itself in her efforts to connect with others, embrace the present, and insist on survival Paste Magazine
After a deep discography of sci-fi epics, dystopias and spiritual yearning, Muse varies the formula a little — but fails to wow Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways