23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Second album from Illinois indie rock five-piece produced by Jim Abbiss (Arctic Monkeys, Adele)
7.0
Their ravenously rowdy anthems still shine through with a paranoid, teen angst screech Read Review
The Orwells may not have captured the ferocity of their live show on this occasion but they still possess the swagger of true rock’n’roll believers and this conviction is infectious Read Review
Like Parquet Courts’ less intellectual roommate that gets invited to more parties and has earned a bit more beer money Read Review
Hold on tight, the Chicago garage-rockers' return is a dizzy and dirty rock'n'roll joyride Read Review
It’s a soundtrack to stifled suburban angst played out through a slate of ballsy-yet-catchy pop rock tunes Read Review
Disgraceland plays fast and loose with the variable Americana of sixty years of stateside rock, punk, indie, blues, and soul Read Review
This is a good release, it just could have been so much more satisfying if they had been left to their own devices and produced a dirtier, dragged-through-a-hedge-backwards sound Read Review
Proves there’s a fine line between writing songs about being bored and just being boring Read Review
Disgraceland is fine as far as it goes, and they’re probably a supercharged live proposition, but there’s not quite enough here Read Review
The guitars shine like they've employed a French polisher to buff them up. You just want them to cut loose, and they never do Read Review
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The Orwells: Disgraceland
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways