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8.0
67681
8.0 |
The List
They’ve been sounding like an exciting and optimistic version of the future for a long time – and they still do
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8.0
67686
8.0 |
The FT
To Rococo Rot occupy a self-enclosed space where rigorous repetition meets mild playfulness
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8.0
67914
8.0 |
Q
German electronic trio find a new voice. Print edition only
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8.0
67982
8.0 |
Uncut
Brilliance and beauty abounding in equal measure. Print edition only
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8.0
67983
8.0 |
Mojo
The trio negotiate a familiarly avant terrain, with echoes of Neu!, Can and Tortoise along the way. Print edition only
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7.0
67984
7.0 |
Clash
There's a Big Apple flavor throughout. Print edition only
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7.0
67816
7.0 |
Fact
Their most attractive qualities, their sense of minimalism and simplicity and concision, are hardly the sort of things you bellow from rooftops. And yet, it works, and beautifully
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6.5
67684
6.5 |
The 405
The sort of noise that could soundtrack you looking all pensive and broody in a montage
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6.0
67685
6.0 |
The Irish Times
A fine addition
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6.0
67682
6.0 |
The Skinny
Lindsay’s soft vocals feel at odds with the Instrument(als)
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6.0
67894
6.0 |
All Music
After eight albums that synthesize post-rock, home-listening electronica, and dub, the trio otherwise aren't up for much of a shakeup in their approach
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6.0
67756
6.0 |
NME
If their brand of ambience sometimes fades into the background, their semi-secret weapon – drummer Ronald Lippok – ignites tracks like ‘Down In The Traffic’ with krautrock-like percussive fluidity
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6.0
68094
6.0 |
State
There is still enough innovation and intriguing electronic asides here to make it worthy of your attention
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6.0
68174
6.0 |
The Line Of Best Fit
Even when each instrumental part has something to recommend it, there is a fundamental lack of cohesion to To Rococo Rot here
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