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8.5
69414
8.5 |
The Line Of Best Fit
Spencer Krug is indie rock’s greatest living nomad. So Krug once again tears through his beautiful narrative, this time to get out of Finland, and dances on the wreckage of Helsinki and the rubble of that damned piano
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8.5
69788
8.5 |
Beardfood
Recorded music doesn't get more intimate than this
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8.0
69415
8.0 |
Drowned In Sound
The EP alternates between dense metaphor and wistful candour
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8.0
69410
8.0 |
The 405
He may speak of wrecking, and seems to worry incessantly about being a wrecker, but in many ways he is the complete opposite - he is a creator. And a pretty remarkable one at that
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8.0
69411
8.0 |
Exclaim
Krug demonstrates that less is more, but that it also doesn't hurt to go big, even if "big" in this case is an expertly timed digital synth here and there
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7.8
69408
7.8 |
Earbuddy
City Wrecker reveals itself to be complex, interesting, and arresting. This album is not for everyone, but the payout is greater than the emotional cost
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7.5
70178
7.5 |
Under The Radar
Krug is turning out some of the most beautiful and lyrically compelling songs around
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7.0
69459
7.0 |
PopMatters
This is the first true repetition of musical focus in the Moonface catalog, and yet these five songs feel subtly different that the sweeping nature of Julia With Blue Jeans On
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7.0
69413
7.0 |
All Music
Feels like a great extension of Julia with Blue Jeans On, and one can't help but wonder what phase Krug will develop toward with the next Moonface installment as he moves from one place to the next
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6.8
69412
6.8 |
Pitchfork
His melody is limited, but it makes the most of its cramped, claustrophobic clutch of notes
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6.7
69409
6.7 |
Consequence Of Sound
Spending more time alone with the grand piano has helped Krug open up the personal side of his lyrics, limiting the symbolism somewhat in favor of more direct emotional lines
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