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8.0
71286
8.0 |
PopMatters
The subtleties that continually beckon you in for more and leave their mark upon your subconscious
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7.0
71287
7.0 |
NME
When it finds a solid rock stomp, as on ‘Crest’ or ‘Raptor’, 2:54 loom like a monster in the mist
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7.0
71270
7.0 |
musicOMH
More polished and yet somehow less exciting, nonetheless, The Other I is an album which offers plenty of eerie, shadowy pleasure
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7.0
71312
7.0 |
All Music
A natural continuation of their deepening, subtly changing world
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7.0
71313
7.0 |
The 405
Sometimes the lack of varied instrumentation lead to the album sounding somewhat stale, especially if your not a fan of the genre
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7.0
71475
7.0 |
The Line Of Best Fit
A confident collection of tunes decent enough to warrant keeping an eye on 2:54's future movements
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7.0
71567
7.0 |
The Music
2:54 stick to a predictable formula but it all comes together brilliantly
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6.0
71284
6.0 |
Clash
‘The Other I’ is at its best when the band tries something different
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6.0
71289
6.0 |
DIY
The pair’s ability to create moods with just their guitars is impressive – it’s a bit much over twelve tracks
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6.0
71290
6.0 |
Loud And Quiet
The best tracks, ‘Sleepwalker’ and ‘Monaco’, simultaneously strike a rare balance between anthemic and understated
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5.8
71288
5.8 |
Consequence Of Sound
The band has extended its sonic palette while remaining faithful to its trademark atmospheric sound
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5.3
71285
5.3 |
Pitchfork
2:54 have built a palatial structure on The Other I, but they still have yet to lay out a welcome mat
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