23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Debut album from the Kent punk duo with Laurie Vincent on guitar and Issac Holman on drums
6.6
It exposes a deep dissatisfaction with modern society, but delivers it in a way that is both playfully cheeky and darkly menacing Read Review
The roar of a generation that knows that no-one is coming to save them Read Review
This is a stonking listen Read Review
Singing drummer Isaac Holman and guitarist Laurie Vincent are so larger-than-life they’re practically cartoon characters Read Review
Slaves are angry at the world, but they have a wry smile at it too. Print edition only
Punk duo offer mesmerising vocal interplay on clattering debut Read Review
Their debut just about lives up to the hype Read Review
This is music without airs or graces, just a good old fashioned reliance on chunky riffs and propulsive drumming Read Review
Anyone looking for punk rock that wears ‘70s influences on its sleeve could do a hell of a lot worse than Slaves Read Review
A solid debut and one most likely coming to a festival stage near you this summer. Buckle up and be satisfied Read Review
Punk energy and scabrous humour win out. Print edition only
The real charm of this record comes in its additional moments of character Read Review
From snot-nosed Sex Pistols-style punk to raw, blustery Black Keys blues, there’s little originality here – but there’s undeniable chemistry Read Review
It’s not so much that Slaves don’t capture the excitement of their live show on record, more that their live show isn’t designed for transfer to a major label album Read Review
This is an album that flatters to deceive Read Review
Peel back the façade, and you’ll find two white dudes parroting phrases and stealing time-tested tricks to sustain the rebel mirage, to cover for the fact that they have no clue what they’re even talking about Read Review
Slaves’ borrowing of punk tropes and real problems to peddle this slickly produced hatefully-contrived gunk is despicable Read Review
Roll over video for more options
Slaves: Are You Satisfied?
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways