Albums to watch

Payola

Desaparecidos

Payola

Second album from the reunited Nabraska emo / post-hardcore band led by Bright Eyes frontman Conor Oberst

ADM rating[?]

7.2

Label
Epitaph
UK Release date
23/06/2015
US Release date
23/06/2015
  1. 8.8 |   Paste Magazine

    Rebellion hasn’t sounded this awesome — or honest — in a long time
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  2. 8.3 |   Consequence Of Sound

    Few bands can return after a 13-year absence and sound vital and fresh, transforming an old-school approach into a process that sounds original
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  3. 8.0 |   Drowned In Sound

    This release spanned years and several recording sessions and it’s still absolutely exhilarating
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  4. 8.0 |   The Independent

    Listening to Oberst’s righteous rage, his tone a world away from his tender confessionals, one has to credit his dedication, 14 years on, to making them heard
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  5. 8.0 |   Mojo

    Depicts a sadness at the heart of America with a confident swagger and righteous anger
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  6. 8.0 |   Gig Soup

    This is classic Punk rock at its finest, coupling infectious riffs with socially conscious lyrics
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  7. 8.0 |   DIY

    This is an album designed to move people, and ‘Payola’ manages to do so in so very many ways
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  8. 8.0 |   All Music

    Oberst and company temper their outrage with unadulterated melodic might, resulting in that rare protest album that rewards both the condemners and the condemned
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  9. 7.6 |   Pitchfork

    While Payola is Oberst's most urgent and angry work in a decade, it's by far his most fun record
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  10. 7.5 |   A.V. Club

    Oberst and company are best when they concern themselves less with trying to inspire, and more with the musical equivalent of yelling, “Burn it down!”
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  11. 7.5 |   The Line Of Best Fit

    Even if seems a touch outdated at points, there’s not likely to be another punk album this year that unleashes its ire with such precision
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  12. 7.0 |   No Ripcord

    Payola picks off right where their last one left off while completely ignoring that the past decade even happened, which sounds like a harder feat then it might appear
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  13. 7.0 |   PopMatters

    It’s so politically driven and desperate at times, but there’s a roaring joy at the engine that Desaparecidos run off of
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  14. 7.0 |   Exclaim

    A surprisingly vital return we never knew we needed
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  15. 7.0 |   NME

    Even after a decade as a folk star, Oberst still gives the other grown-up emo kids a run for their money
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  16. 7.0 |   The Music

    Unrelentingly bleak and earnest on the surface, but it’s saved by the band’s unquestionable conviction and the edgy punk-tinged rock
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  17. 6.5 |   Beardfood

    Oberst tends to annoy instead of move and the pop isn’t counterbalanced with grit
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  18. 6.0 |   Q

    It's lengthy gestation has left it sounding a mite disjointed. Print edition only

  19. 6.0 |   Spectrum Culture

    Even when the blood rush hits, the whole production can be a tad disappointing
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  20. 6.0 |   The Guardian

    They’re not exactly pushing things forward, but for anyone who wants to take a trip back to when MTV2’s Gonzo was a must-watch, Payola will pave the way
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  21. 6.0 |   The Skinny

    This existential howl against cruelty and injustice lends itself to some admirably infectious punk rock with enjoyable delusions of new wave grandeur
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  22. 5.5 |   Under The Radar

    Even at 44 minutes, it feels overlong, its energy too diffuse for the intended impact
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