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8.3
79363
8.3 |
Pretty Much Amazing
The choice of material is inspired
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8.0
79314
8.0 |
All Music
It's a splendid, beguiling album that's perfectly suited for late nights and rainy afternoons, and a welcome reminder of one of the many, many things Yo La Tengo do so well
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8.0
79322
8.0 |
The Guardian
So it’s an oddly pointless record – but utterly lovely
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8.0
79351
8.0 |
The Observer
Does a world that also contains Isis and Donald Trump really need a nuanced folk-rock cover of the Cure’s Friday I’m In Love? The answer to that question appears to be yes
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8.0
79588
8.0 |
NOW
An excellent follow-up to Fakebook 15 years later
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8.0
79983
8.0 |
Time Out
The heart-stopping standouts here – ‘Before We Stopped to Think’, ‘Naples’ and ‘My Heart’s Not in It’ – are really something
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8.0
79176
8.0 |
Clash
These fourteen songs stand up on their own, even with all context removed
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8.0
79179
8.0 |
musicOMH
The original Yo La Tengo compositions here remind us they are also song writers to be reckoned with
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8.0
79186
8.0 |
Mojo
It sounds like a quality Yo La Tengo album, and that is what matters. Print edition only
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8.0
79187
8.0 |
Uncut
A comforting listen, startlingly consistent in mood and featuring some of their most touching moments
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8.0
79181
8.0 |
The Music
Gorgeous
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8.0
79240
8.0 |
No Ripcord
With the zeal of archivists and a yen for experimentation, they have found strength in giving tribute to their influences, reaffirming the role of interpretation in contemporary music
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7.8
79223
7.8 |
Paste Magazine
As a treat for the most passionate fans, it’s a winner, but by focusing on only one aspect of the band’s identity it doesn’t register as much as almost every other record they’ve ever released
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7.5
79178
7.5 |
The 405
It's lovely to think that Yo La Tengo parse through their history as closely as their biggest fans do
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7.1
79356
7.1 |
Pitchfork
Stuff Like That There handily reasserts Yo La Tengo’s reputation as indie rock’s consummate curators
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7.0
79359
7.0 |
Rolling Stone
Yo La Tengo are music-geek lifers you can take home to Mom
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7.0
79180
7.0 |
NME
Lovely, and quintessentially Yo La Tengo
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7.0
79177
7.0 |
Slant Magazine
Keeping the surface changes minimal while gradually tweaking the tone of each song, Yo La Tengo manages to further their transparency and place the focus even more on the material
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6.7
79319
6.7 |
A.V. Club
There’s a late-night looseness to the project that’s appealing, if not necessarily consummated by revelatory performances
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6.5
79385
6.5 |
Spectrum Culture
After 25 years, the band still has one key element in place: their undying fascination with and love for pop music
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6.5
79496
6.5 |
Under The Radar
This is a band that has earned a permanent pass, and at the end of a long day, the friendliness and familiarity of this band's talent and heart are endlessly endearing
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6.5
79194
6.5 |
Crack
A mix of heady ideas, a nod to Yo La Tengo’s 30-year evolution and a careful deconstruction of their influences and first-loves
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6.0
79253
6.0 |
The Skinny
It’s impossible not to feel allured by YLT’s blissful comfort zone
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6.0
79182
6.0 |
The Independent
The covers are transformative: with glistening vibrato guitar tints and murmured vocal
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6.0
79206
6.0 |
Spin
A stopgap does what it’s supposed to yet again; slakes the thirst for a new album just as it necessitates it anew
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6.0
79445
6.0 |
PopMatters
They continue to hold on to the visceral joy that come with playing along with your favorite songs, and in that they stay fresh as ever
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5.0
79209
5.0 |
Consequence Of Sound
It’s unlikely anyone but diehard Yo La Tengo fans will be spinning this set with much frequency
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5.0
79196
5.0 |
Drowned In Sound
The truth is that, for possibly the first time in Yo La Tengo’s discography, they're a bit boring
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3.5
79306
3.5 |
Earbuddy
If this wasn’t recorded by Yo La Tengo, it’d never make it off of the Macbook it was recorded on
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