What Went Down

Foals

What Went Down

Fourth album of indie alternative rock from the Oxford five-piece, produced by James Ford (Haim, Florence and the Machine, Arctic Monkeys)

ADM rating[?]

7.2

Label
Warner Bros.
UK Release date
28/08/2015
US Release date
28/08/2015
  1. 10.0 |   DIY

    If Foals didn’t already have enough songs in their arsenal to top festival bills, they’ve just added ten more
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  2. 10.0 |   The List

    What Went Down is Foals’ finest moment, and it’s hard to see how it can get any better
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  3. 9.0 |   musicOMH

    It’s hard to see What Went Down as anything other than a third Mercury Prize nomination-in-waiting
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  4. 9.0 |   The Music

    It's exactly what you didn't realise you needed Foals to deliver
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  5. 8.3 |   Pretty Much Amazing

    They have a masterpiece inside them, and with each successive release it’s bubbling closer to the surface. On the basis of What Went Down, we won’t have to wait much longer
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  6. 8.0 |   Rolling Stone

    Their fourth and best album plays up a dark, bracing urgency
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  7. 8.0 |   State

    Already an instant classic
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  8. 8.0 |   The 405

    A band cementing themselves as the best, brightest and most interesting pop band Britain has produced for a long time
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  9. 8.0 |   Mojo

    Expressing big emotions loudly through fizzing rock anger or unbridled, danceable joy
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  10. 8.0 |   Q

    Filter their anxieties on time’s passing into an astonishing rock record. Print edition only

  11. 8.0 |   Uncut

    Their most fully realised yet. Print edition only

  12. 8.0 |   FasterLouder

    An album that reconciles the band’s disparate extremes. Foals aren’t the band of Antidotes or Total Life Forever anymore; they’ve become something far greater
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  13. 8.0 |   The Skinny

    If Holy Fire saw the band glancing tentatively into the abyss, then What Went Down is the fulfilment of that trip to the dark side
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  14. 8.0 |   The Line Of Best Fit

    While not a step forward, What Went Down is a consolidation and refinement of Foals’ artistic strengths and explorations over their previous trio of albums
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  15. 8.0 |   Drowned In Sound

    This record is likely to re-energise their momentum, rather than rocketing them into the upper stratospheres
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  16. 8.0 |   Exclaim

    A varied and textured offering that will add depth to their high-energy live shows
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  17. 8.0 |   All Music

    Should please fans of Holy Fire, and they may not be the only ones drawn to its gloomy and persistent energy
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  18. 7.0 |   Clash

    A hugely accomplished effort from one of Britain's best surviving bands
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  19. 7.0 |   NME

    Oxford's finest flit between gnarly rock and frustrating slickness on an often-brilliant fourth album
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  20. 7.0 |   Spectrum Culture

    Foals seem to be taking it a step further with every record
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  21. 6.7 |   Pitchfork

    While Foals have realized a sound that's truly their own, they sound far too comfortable in it
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  22. 6.5 |   Earbuddy

    The ultimate irony, though, is that Foals has shed themselves of what made them interesting, but the best songs on What Went Down are those that are the most broad
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  23. 6.5 |   Beardfood

    This muscular record sounds great - Yannis' vocal range keeps expanding - but for every catchy banger there's a flat, forgettable, middle-of-the-road dud. Step up your game, guys
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  24. 6.5 |   Crack

    For as long as we’re lauding them as they are, we’ll be wondering what they could be
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  25. 6.5 |   Under The Radar

    It's just hard not to miss the breathing room and layers that defined the band's past work
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  26. 6.0 |   Time Out

    In short: awe-inspiring but weirdly unlovable
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  27. 6.0 |   Evening Standard

    But while no one doubts their ability to make intricate and rewarding music a little more surface would count for more
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  28. 6.0 |   The Guardian

    It’s bulked-up indie, served with a hypermasculine snarl
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  29. 6.0 |   The Irish Times

    Holy Fire was a career highlight; What Went Down struggles to rekindle those sparks
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  30. 6.0 |   The Observer

    Strives to retain the band’s considerable rhythmic nous while further amplifying the bombast
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  31. 6.0 |   The Independent

    Large parts of it still rely too heavily on a dour combination of industry and portent
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  32. 6.0 |   The Arts Desk

    While there are moments of properly transformative beauty here the overall package misses the mark
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  33. 5.8 |   Consequence Of Sound

    Taking a large musical step forward was the right move for Foals to make; smoothing the album out repeatedly until it becomes flat wasn’t
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  34. 5.0 |   PopMatters

    You can hope it’s a misstep, but unfortunately it looks more like yet another anchoring point in Foals slow downward trajectory
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  35. 4.0 |   The FT

    It is overblown and muddled, the sound of a successful band pitching to advance to the next level of success without knowing what to say when they get there
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