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8.0
85376
8.0 |
Loud And Quiet
Greg Edwards, Eugene Goreshter and Carla Azar have created a cohesive sound for the first time so that although the range of melodies is impressive, it feels like an album
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8.0
85378
8.0 |
The Skinny
On the whole, Autolux are taking giant steps towards a brave, gross new world
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8.0
85469
8.0 |
The Line Of Best Fit
Represents yet another sonic rebirth from a band who has been making a methodical career out of rising from the ashes of inactivity to surprise us all once again
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8.0
85626
8.0 |
The Music
This is an album that will continue to give for the next half-decade
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7.2
85462
7.2 |
Pitchfork
Autolux's third album is produced by Boots, and features a performance that permanently places Carla Azar amongst the pantheon of great American rock drummers
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7.0
85878
7.0 |
musicOMH
Twelve years may have been time to labour too much over some ideas, but there are core moments to this that show an intelligent and important band still stretching the parameters of what’s possible for a rock outfit
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7.0
85374
7.0 |
Exclaim
If you go into Pussy's Dead with an open mind, and you're willing to accept that Autolux refuse to repeat themselves, you'll appreciate it more
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7.0
85375
7.0 |
All Music
As a whole, the album plays out a bit unevenly, with some distinctive artistic peaks and a few mis-plays made in the name of experimentation
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6.7
85377
6.7 |
Consequence Of Sound
The record doesn’t match the highs of its best material as often as it could
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6.0
85580
6.0 |
Q
Elegantly wasted, but wasted all the same. Print edition only
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6.0
85379
6.0 |
Drowned In Sound
The first half of the album is a tale of peaks and troughs
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