22 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut solo album of dreamy indie pop from the former S.C.U.M frontman
7.5
The album is surprisingly sunny: these are songs for festival picnic blankets as well as for holding on to your loved ones Read Review
The album's charm is that it manages to deal with first-hand melancholy so eloquently and so affectingly without centering itself entirely around it Read Review
From jazzy six-minute opener ‘Honeymoon’ (replete with sax solo) through the painful ‘Country Home’ and cathartic closer ‘Mother Mary’, this is the album Cohen simply needed to make Read Review
This is a sensitive and subtle response to living with grief Read Review
A heartfelt and healing solo effort Read Review
Cohen’s obvious enthusiasm for his music humanises the man behind the headlines. When he sings about drinking tap water on ‘Only Us’, he’s as relatable as the guy who once consented to making soup on camera Read Review
This is what Bloom Forever holds, even in its title: the blossom of a songwriter ready to open up to the light Read Review
By the culmination of these nine songs, it’s hard to not be left with the impression that Bloom Forever is an album that Thomas Cohen really needed to make, and make public Read Review
Exorcises his bereavement demons. Print edition only
His bold, distinctive debut album stands a million miles from the celebrity circus, and will endure far longer than mawkish titillation Read Review
Listen to it closely for lyrical confessions if you must, but the music beneath is better Read Review
Wielding watery vibrato guitars and lilting piano in an appealingly relaxed, retro style that recalls latterday Laurel Canyon laureate Jonathan Wilson Read Review
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Thomas Cohen: Bloom Forever
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways