23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Debut solo album of electronic pop from Kristin Welchez, lead singer and founder of Dum Dum Girls
7.0
‘X-Communicate’ would’ve been seen as too much of a stylistic divergence had it been released as a Dum Dum Girls record, but as a personal rebirth, subject matter and all? It fits the bill very neatly indeed Read Review
X-Communicate is all about Welchez allowing herself room to grow as a multifarious artist who has the drive, determination and talent to pull off anything she sets her mind to Read Review
With the synths upfront in the mix, Welchez makes several overtures to 80s and 90s alternative pop history - new wave, English guitar rock, Saint Etienne - but filters them through themes that feel very much of the moment Read Review
It’s an opportunity for Kristin to skin shed (great song by the way) her Dee Dee persona for another that also feels natural Read Review
In her latest transformation, Kristin Welchez leaves behind Dee Dee and the Dum Dum Girls for new alter ego Kristin Control, foregoing DDG's garage-band cool for sleek synth pop Read Review
It’s left the singer’s sonic presence stronger than ever Read Review
Her sound might be more poppier than in the Dum Dum Girls, but the one thing that matters is still there: she’s still trouble Read Review
While it may not be her strongest album, it’s an interesting new direction Read Review
The one-nature of the wracked, robotic torch songs does wear thin by closer Smoke Rings, however. Print edition only
It's hard not to think that either she just hasn't perfected this style yet or it's a one-off detour. Only time will tell, but wherever Dee Dee or Kristin goes, this album proves that it's well worth keeping up with her output Read Review
Roll over video for more options
Kristin Kontrol: X-Communicate
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways